The Deadpod

On this week's Deadpod, we continue with the second set from September 2nd, 1983, in Boise, Idaho. The boys keep up the energy from the first set throughout this one, with a jamming pre-drums segment that runs non-stop through a string of favorites. A highlight, however, comes just before Drums, when Bobby and Brent stay out front together for an intense jam of their own. Following Drums and Space, we get a pairing that's somewhat unusual for the era: "Goin' Down the Road Feeling Bad" leading straight into a particularly fine "Black Peter" — two Jerry-fronted tunes back to back, and a highlight for me. And, of course, a "Baby Blue" encore is always a fine way to close out a great show Grateful Dead Boise Pavilion - Boise State University Boise, ID 9/2/1983 - Friday Two Help On The Way [3:00] > Slipknot! [8:10] > Franklin's Tower [14:06] Estimated Prophet [13:02] > Eyes Of The World [12:23] > Jam (1) [3:11] > Drums > Space [10:06] > Throwing Stones [7:54] > Goin' Down The Road Feeling Bad[7:54] > Black Peter [8:17] > Sugar Magnolia [8:36] Encore It's All Over Now, Baby Blue [7:02] Comments (1) Bob, Brent, and Drummers You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod091126.mp3 My thanks for your continuing support of the Deadpod!

Labor Day is here! I've found what I think is a rather overlooked show to celebrate the holiday this week with this gem from September 2, 1983 in Boise Idaho. This was the only show the band ever played in Idaho, and I have to believe that the unique location gave them some extra energy that shows through as we listen to this show. After a unique introduction by Phil, the band powers into a funky 'Wang Dang Doodle' which then goes right into a sweet 'Jack Straw'. The energy comes through in numbers like 'Big River' and 'Big Railroad Blues'. I find the set tight and well-played and hope that it makes you smile as well.. Grateful Dead Boise Pavilion - Boise State University Boise, ID 9/2/1983 - Friday One Wang Dang Doodle [6:20] > Jack Straw [5:23] ; They Love Each Other [7:38] ; Mama Tried [2:43] > Big River [6:00] ; Brown Eyed Women [5:28] ; New Minglewood Blues [7:39] ; Big Railroad Blues [7:12] ; Looks Like Rain [10:26] > Deal [9:27] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod090426.mp3 Have a safe and happy Labor Day!

Hey Now -- this week we have a wonderful second set from one of the most memorable times in the band's storied career.. This second set from the Berkeley Communitiy Theater in Berkeley California has a mix of straight ahead rockin' and deep exploratory jams that showcases the band's versatility and innovation. I call your attention to the incomparable 'Other One' here that goes in previously unknown dimensions, as well as the closing trifecta of 'Not Fade Away", Going Down the Road Feelin' Bad' and 'Hey Bo Diddley' which pay homage to their musical heritage. Two Brown Eyed Women [5:02] Mexicali Blues [3:34] Truckin' [9:56] > Drums [2:24] > The Other One [29:56] > Stella Blue [8#;50] El Paso [4:42] Ramble On Rose [6:16] Not Fade Away [6:01] > Goin' Down The Road Feeling Bad [5:51] > Hey Bo Diddley [4:09] > Not Fade Away You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod082826.mp3 My thanks for your kind support of the Deadpod

This week on the Deadpod we have one of the fine shows the band played in late August 1972 at the Berkeley Communit y Theater in Berkeley, CA. In this small, hometown venue, the band plays together and listens to each other at a high level — something that would bloom beautifully a few days later at the Old Renaissance Fairgrounds in Veneta, Oregon. They're relaxed and loose here. In this first set especially, they take their time between numbers, and I've taken the liberty of editing some of that dead air out of this presentation. I hope it makes for a more enjoyable listen. There are a couple of small cuts, but I don't think they'll affect your enjoyment. There are some notable excursions here — a first-set "Playin' in the Band" and "He's Gone," as well as a beautiful "Bird Song." I trust you'll find the entire set worth your time. Grateful Dead Berkeley Community Theatre Berkeley, CA 8/22/1972 - Tuesday One Bertha [#5:11] Greatest Story Ever Told [4:51] Loser [6:40] Black Throated Wind [%6:27] Bird Song [9:57] Beat It On Down The Line [3:03] Tennessee Jed [06:37] Me And My Uncle [3:13] Friend Of The Devil [3:35] Playin' In The Band [15:%41] He's Gone [8:30] Promised Land [2:47] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod082126.mp3 Enjoy these 'dog days' of August, soon enough we'll have 'snow and rain'....

We return to St. Paul this week for a wonderful second set from August 6, 1982. The set hangs together beautifully, with the band locked in from start to finish. The opening Scarlet > Fire features some fine interplay between Jerry and Bob, with Garcia's lines dancing around Weir's rhythm. That same energy carries into Lost Sailor > Saint of Circumstance, which spills into Space and an 11‑beat, "Eleven"-style jam that sets up some exuberant drumming. Truckin' is not your usual 1982 fare either, with Brent and Phil adding plenty of snap and color. Post‑drums, a rare all‑Weir vocal segment brings a different flavor, highlighted by a lovely Goin' Down the Road Feelin' Bad into a rare non‑encore Johnny B. Goode. Jerry closes the night with a tender Baby Blue encore that feels very much of a piece with the mood of the set. Grateful Dead St. Paul Civic Center Arena St. Paul, MN 8/6/1982 - Friday Two Scarlet Begonias [13:16] > Fire On The Mountain [11:23] ; Lost Sailor [7:13] > Saint Of Circumstance [7:21] > Space [4:04] > Drums > Space [11:51] > Truckin' [7:13] > Wharf Rat [9:31] > Around And Around [4:15] > Goin' Down The Road Feeling Bad [8:34] > Johnny B. Goode [4:04] Encore It's All Over Now, Baby Blue/pre> You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod081426.mp3

This week, as we approach the end of the "Days Between," I thought this recording—emblematic of what I think of as the Dead's 'third' period—would be a fitting choice as we remember Jerry. This one comes to us from St. Paul, MN, on August 6, 1982. It's an energetic show with a tight ensemble throughout. Jerry is playing at a high level, and Brent, along with the rest of the band, is right there with him. There's a lot to like here, but one of the highlights for me is the 10+ minute "Bird Song," which flows nicely into "El Paso." I'm also partial to the "Lazy Lightnin' > Supplication," where Garcia adds some particularly nice color in his solos. It's a solid first set, and I think you'll enjoy it. There are a few audience patches, but they don't detract much from the overall experience. Grateful Dead St. Paul Civic Center Arena St. Paul, MN 8/6/1982 - Friday One Bertha > New Minglewood Blues ; Candyman > Little Red Rooster ; Bird Song > El Paso ; Tennessee Jed ; It's All Over Now ; Lazy Lightnin' > Supplication ; Might As Well You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod080726.mp3 "Tell me all that you know, I'll show you... snow and rain"

This week on the Deadpod we head back to the Family Dog at the Great Highway in San Francisco for a superb show from August 3, 1969. This is the kind of set that reminds us just how quickly the Grateful Dead were evolving in that remarkable year, moving from the raw energy of their early material into the open-ended exploration that would define so much of what followed. The set opens with a fine run of songs including "Hard To Handle," "Beat It On Down The Line," "Hi-Heel Sneakers," "High Time," and "Mama Tried." From there the show opens up beautifully with a long and searching "Dark Star," followed by the powerful sequence of "Alligator," "Drums," "The Other One," and "Caution (Do Not Stop On Tracks)," before closing with "And We Bid You Goodnight." There are two guest artists - an unknown sax player and David LaFlame from 'It's A Beautiful Day', and they add a rich extra dimension to the sound that I really dig. There's a lot to enjoy here: the contrast between the concise song-based first half and the expanded improvisational stretch that follows, the relaxed confidence of the band, and the sense that they are really finding their collective voice in real time. It's a strong late-summer 1969 performance and a great listen for anyone who loves this transitional era of the Dead. Grateful Dead Family Dog at the Great Highway San Francisco, CA 8/3/1969 - Sunday Hard To Handle Beat It On Down The Line Hi-Heel Sneakers High Time Mama Tried Dark Star Alligator > Drums > The Other One > Caution (Do Not Stop On Tracks) > And We Bid You Goodnight You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod073126.mp3 Enjoy!

This week on Deadpod we're back at the Orpheum Theatre in San Francisco for the second set from 7/12/76, a show that has that special midsummer 1976 feel I've always loved: relaxed, open, and full of musical space, but with plenty of spark still in the band's step. The set gets underway with a very nice "Sugaree," followed by a spirited "Samson And Delilah," and then we move into one of the great touchstones of the era — "Help On The Way" > "Slipknot!" > "Franklin's Tower," played here with real assurance and flow. From there the band keeps the momentum going with a lively "Dancing In The Street," and then settles into the deep emotional current of "Wharf Rat." After that comes "Drums," and then a wonderfully expansive "The Wheel" that helps push the set into its final stretch. "Around And Around" closes things out with some good old-fashioned punch, and "U.S. Blues" brings us home in the encore with just the right amount of swagger. It's a set that really shows what was happening with the Dead in 1976: the band had found a new balance, and they were making music with patience, depth, and a real sense of possibility. I hope you enjoy it. Grateful Dead Orpheum Theatre San Francisco, CA 7/12/1976 - Monday Two Sugaree [10:53] % Samson And Delilah [6:46] % Help On The Way [4:32] > Slipknot! [7:44] > Franklin's Tower [14:11] Dancing In The Street [11:26] Wharf Rat [12:24] > Drums [4:41] > The Wheel [4:47] > Around And Around [7:07] Encore U.S. Blues [7:20] Grateful Dead Orpheum Theatre San Francisco, CA 7/12/1976 - Monday Two Sugaree [10:53] % Samson And Delilah [6:46] % Help On The Way [4:32] > Slipknot! [7:44] > Franklin's Tower [14:11] Dancing In The Street [11:26] Wharf Rat [12:24] > Drums [4:41] > The Wheel [4:47] > Around And Around [7:07] Encore U.S. Blues [7:20] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod072426.mp3 "summertime done, come and gone my oh my"

This week takes us to Summer tour 1976 - to the first night of a six night run on the home turf of San Francisco California for a delightful show at the intimate Orpheum Theater on July 12, 1976. 'The Music Never Stopped' provides a fine and fitting opener as the boys return to the stage on the West Coast following their hiatus from touring and the completion of 'Blues for Allah' and an East Coast swing. This first set is filled with old favorites colored with new tempos and some very sweet jams. Some of my favorites include 'Tennesse Jed' (here included from an audience recording), 'Row Jimmy', 'Lazy Lighting into Supplication' and a short but sweet 'Deal'. We'll listen to set 2 next week with more 'new' material included.... Grateful Dead Orpheum Theatre San Francisco, CA 7/12/1976 - Monday One The Music Never Stopped [5:23] Brown Eyed Women [4:25] Cassidy [4:05] Tennessee Jed [8:27] New Minglewood Blues [4:22] Candyman [7:04] Looks Like Rain [6:26] Row Jimmy [9:33] Lazy Lightnin' [2:55] Supplication [4:46] Deal [4:37] The Promised Land [4:08] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod071726.mp3 My thanks for your kind support my friends

We return this week to the plains of Kansas for the second set of the band's July 4, 1990 performance at Sandstone Amphitheater. The band comes back as the sun dips down and treats us to a couple of their newer songs, starting with 'Victim or the Crime'. They lighten the mood with a fine 'Foolish Heart', which flows into one of my favorite Brent tunes, 'Just a Little Light'. Knowing this was one of the last shows Brent ever played, I'm especially grateful to have seen him that final time. A wonderful 'Scarlet > Fire' follows—perfect for this sizzling day—and Jerry is absolutely sizzling on it. 'Drums' and 'Space' come next and lead nicely into a heartfelt 'Wheel'. Things ramp up with 'Gimme Some Lovin', again punctuated by great contributions from Brent. A soulful 'Stella Blue' follows, and the crowd falls completely silent, hanging on every verse. The band closes with 'Sugar Mag', then, appropriately, returns with a raucous 'U.S. Blues' encore. Grateful Dead Sandstone Amphitheatre Bonner Springs, KS 7/4/1990 - Wednesday Two Victim Or The Crime > Foolish Heart > Just A Little Light > Scarlet Begonias > Fire On The Mountain > Drums > Space > The Wheel > Gimme Some Lovin' > Stella Blue > Sugar Magnolia Encore U.S. Blues You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod071026.mp3 Stay strong my friends and thank you for your kind support. We return this week to the plains of Kansas for the second set of the band's July 4, 1990 performance at Sandstone Amphitheater. The band comes back as the sun dips down and treats us to a couple of their newer songs, starting with 'Victim or the Crime'. They lighten the mood with a fine 'Foolish Heart', which flows into one of my favorite Brent tunes, 'Just a Little Light'. Knowing this was one of the last shows Brent ever played, I'm especially grateful to have seen him that final time. A wonderful 'Scarlet > Fire' follows—perfect for this sizzling day—and Jerry is absolutely sizzling on it. 'Drums' and 'Space' come next and lead nicely into a heartfelt 'Wheel'. Things ramp up with 'Gimme Some Lovin', again punctuated by great contributions from Brent. A soulful 'Stella Blue' follows, and the crowd falls completely silent, hanging on every verse. The band closes with 'Sugar Mag', then, appropriately, returns with a raucous 'U.S. Blues' encore. Grateful Dead Sandstone Amphitheatre Bonner Springs, KS 7/4/1990 - Wednesday Two Victim Or The Crime > Foolish Heart > Just A Little Light > Scarlet Begonias > Fire On The Mountain > Drums > Space > The Wheel > Gimme Some Lovin' > Stella Blue > Sugar Magnolia Encore U.S. Blues You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod071026.mp3 Stay strong my friends and thank you for your kind support.

On this sweltering Fourth of July weekend, I've decided to travel back to another sweltering Fourth—July 4, 1990 at Sandstone Amphitheatre in Bonner Springs, Kansas. With temperatures well over 100 at showtime and no roof over the seating area, this was probably the hottest showtime I'd ever experienced. For me, it was a deeply memorable night: not only the last time I'd see Brent before his tragic passing, but also a show with some killer versions of classic songs. The first set, which we'll hear this week, is a bit short—the boys were getting scorched with the sun shining directly on them, Jerry in shorts and all—but there are some great highlights, starting with the ironically appropriate opener, "Cold Rain & Snow." Other standouts include a fine "Half‑Step," a rare "Loose Lucy," and a strong "Loser." And for the setlist nerds among us, it's worth noting that all of Bob's tunes in this first set are covers, from Son House to Dylan to Chuck Berry. Even with the band and crowd baking in that relentless Kansas sun, there's an energy and focus in this first set that still comes through on the tape. You can hear the band leaning into the songs rather than stretching out, but that only seems to sharpen the edges on "Cold Rain & Snow" and "Half‑Step," and give "Loose Lucy" and "Loser" a little extra punch. I hope you enjoy revisiting this hot, short, and very sweet first set with me this week—and that you'll be back next time when we pick things up after dark for the second set, where "Victim," "Foolish Heart," and a big "Scarlet → Fire" really show what Summer '90 could do. Grateful Dead Sandstone Amphitheatre Bonner Springs, KS 7/4/1990 - Wednesday One Cold Rain & Snow > Walkin' Blues Mississippi Half-Step Uptown Toodleloo Queen Jane Approximately Loose Lucy It's All Over Now Loser The Promised Land You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod070326.mp3 I hope you have a safe and happy 4th of July! stay hydrated!

This week's Deadpod features the Grateful Dead's second set from June 4, 1978, at Campus Stadium, University of California, Santa Barbara—a show that captures the band in a confident and fluid late-'70s mode. The set opens with a lively "Samson and Delilah," followed by a nicely rendered "Ship of Fools" that provides an early contrast in mood. The improvisational core begins with "Estimated Prophet," which unfolds patiently before transitioning into a bright and engaging "Eyes of the World." (nevermind Bobby stepping on Jerry's solo). The Eyes is a bit on the fast side, I wonder if the presence of Ken Kesey and the Thunder machine had something to do with that? "Drums" and a concise "Space" serve as a bridge into the closing sequence, where a driving "Not Fade Away" builds into "Goin' Down the Road Feeling Bad" and a high-energy "Around and Around." The set is capped by a pair of encores—"U.S. Blues" and "Sugar Magnolia"—that bring the performance to an upbeat conclusion. Overall, this is a well-paced and cohesive second set, offering both strong song performances and a satisfying improvisational arc. As always, I hope you enjoy the listen. Grateful Dead Campus Stadium - University Of California Santa Barbara, CA 6/4/1978 - Sunday Two Samson And Delilah [6:34] Ship Of Fools [6:57] Estimated Prophet [10:40] > Eyes Of The World [10:16] > Drums [10:#16] > Space (1) [4:21] > Not Fade Away [8:04] > Goin' Down The Road Feeling Bad [6:29] > Around And Around [7:27] Encores U.S. Blues [5:09] Sugar Magnolia [7:51] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod062626.mp3 As always thanks for your kind support of the Deadpod!

This week's Deadpod takes us back to sunny California for a Sunday show at the University of California, Santa Barbara, on June 4, 1978. This is their first show in about a month following the excellent Spring tour, and the band sounds like they're in great spirits—evidenced both by the between-song banter and the upbeat performances throughout the set. A somewhat unusual pairing opens things up, with "Bertha" flowing into "Good Lovin'"—be sure to listen for Garcia's vocal touches there. You might also notice Bobby's vocal substitution in "Me and My Uncle," a small but interesting moment. The whole set is strong, but highlights for me include a particularly expressive "Looks Like Rain" and, of course, a very satisfying "Tennessee Jed." Things nearly get out of hand on the closing "Jack Straw," which makes for a fun finish. Grateful Dead Campus Stadium - University Of California Santa Barbara, CA 6/4/1978 - Sunday One Bertha [7:01] > Good Lovin' [6:21] Dire Wolf [3:21] Me And My Uncle [3:04] > Big River [6:03] Brown Eyed Women [5:02] Looks Like Rain [7:35] Tennessee Jed [8:20] Jack Straw [5:21] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod061926.mp3 We'll play the second set next week. For now, I hope you enjoy this fine show from June of 1978. My thanks, as always, for your kind support.

This week's Deadpod features the second set from June 6th, 1992, a performance that captures the Grateful Dead's late-era mix of looseness, drive, and exploratory spirit. The set opens on a joyful note with "Iko Iko," before shifting into a spacious "Estimated Prophet" that leads into a rare second-set "The Same Thing." From there, the mood turns inward with a heartfelt "He's Gone," setting up the transition into "Drums" and "Space." Out of "Space," the band launches a powerful "The Other One," bringing a darker, more intense energy before easing into "The Wheel." The closing run of "Throwing Stones" and "One More Saturday Night" delivers the expected early-'90s punch. The encore pairing of "Baba O'Riley" and "Tomorrow Never Knows" is a highlight, underscoring the band's willingness in this period to reinterpret classic rock and psychedelic touchstones in their own voice. It's a well-paced, engaging second set that offers a rewarding snapshot of the Dead in 1992. Grateful Dead Rich Stadium Orchard Park, NY 6/6/1992 - Saturday Two Iko Iko ; Estimated Prophet > The Same Thing > He's Gone > Drums > Space > The Other One > The Wheel > Throwing Stones > One More Saturday Night Encore Baba O'Riley > Tomorrow Never Knows You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod061226.mp3 As always my sincere thanks for your kind support..

This week's Deadpod comes from a listener request, as we head to Buffalo, New York, and the Grateful Dead's performance at Rich Stadium on June 6, 1992. It's firmly in the early '90s period, with Vince Welnick on keys and the band leaning into a more polished, modern sound while still drawing on their deep songbook. In this first set we get a very '90s opener with "Touch of Grey" into "Greatest Story Ever Told," followed by a focused "Althea" and a lively "It's All Over Now." The mood then shifts into a more acoustic‑flavored stretch with "Friend of the Devil" and "When I Paint My Masterpiece," before the set closes out with a sing‑along "Ramble On Rose" and a "Let It Grow" that brings some welcome late‑set energy and improvisation. This week we'll feature that opening set; we'll return to Buffalo next week for the second set and its high‑energy closing stretch. I hope you enjoy this listener‑selected trip back to June 6, 1992 in Buffalo. Grateful Dead Rich Stadium Orchard Park, NY 6/6/1992 - Saturday One Touch Of Grey Greatest Story Ever Told Althea It's All Over Now Friend Of The Devil When I Paint My Masterpiece Ramble On Rose Let It Grow You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod060526.mp3 My thanks for your kind support!

This week's Deadpod continues our visit to Nassau Veterans Memorial Coliseum in Uniondale, New York, as we present the second set from May 8, 1981. After last week's well‑played opening set, the band comes out strong here with a big "Shakedown Street" into "Samson and Delilah," then digs deep with "Terrapin Station" flowing into a wide‑open "Playin' in the Band" and on through Drums and Space. Ken Kesey even joins in on harmonica during Space and the "U.S. Blues" encore, adding a unique extra flavor to the proceedings. The home stretch features a fiery "Not Fade Away," a beautiful "Stella Blue," and a rousing "Sugar Magnolia," capped by that "U.S. Blues" encore that feels just right for this time of year. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/8/1981 - Friday Two Shakedown Street [16:09] > Samson And Delilah [6:50] ; Terrapin Station[12:28] > Playing In The Band [16:27] > Drums [4:#36] > Space** [6:30] > Not Fade Away [9:17] > Stella Blue [9:24] > Sugar Magnolia [8:58] Encore U.S. Blues** [5:37] Comments **with Ken Kesey on harmonica You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod052926.mp3 May this music bring a smile ..

For this Memorial Day weekend edition of the Deadpod, we're traveling to Nassau Veterans Memorial Coliseum in Uniondale, New York, for the Grateful Dead's spring tour stop on May 8, 1981. This is early‑'80s Brent Mydland era, and the band sounds sharp and energized: Jerry's in good voice, Brent's keys add color and bounce, and the rhythm section keeps everything moving with plenty of drive and nuance. In this first installment we feature the opening set, a compact but very satisfying run that opens with "Jack Straw" and "Peggy‑O," moves through "Me and My Uncle," "Big River," "Loser," and "Althea," and builds to a strong "Let It Grow" before closing with "Don't Ease Me In." Next week we'll return to Nassau for the second set, highlighted by a big "Shakedown Street" opener, a deep "Terrapin Station" into "Playin' in the Band" sequence, and a powerful closing stretch that feels just right for the start of summer. I hope you enjoy this slice of May 1981 from Nassau. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/8/1981 - Friday One Jack Straw [5:38] ; Peggy-O [6:47] ; Me And My Uncle [2:59] > Big River [5:39] ; Loser [8:05] ; C C Rider [7:49] ; Althea [8:43] > Let It Grow[10:27] > Don't Ease Me In [3:12] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod052226.mp3 Have a safe and fun Memorial Day weekend.....

This week on the Deadpod, we travel to Nassau Coliseum on May 14th, 1980, for a second set that finds the Grateful Dead settling confidently into the early Brent Mydland era. The band sounds relaxed yet focused, blending that familiar late‑70s drive with a more expansive, textural approach. The set opens with the cool, pulsing groove of "Feel Like a Stranger" and flows into a beautifully unhurried "Sugaree," then turns inward with the reflective pairing of "Lost Sailor" and "Saint of Circumstance." From there, the music loosens into space, only to coalesce again around a heartfelt "Comes a Time" and a powerful "Other One" that still crackles with unpredictability. Things land on more earthbound ground with a tender "Black Peter" and a burst of rock and roll energy to close. It's a spring 1980 Nassau journey that moves like a tide—easy, searching, and full of subtle turns, a fine snapshot of where the band was heading at the dawn of a new decade. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/14/1980 - Wednesday Two Feel Like A Stranger [8:03] > Sugaree [11:15] > Lost Sailor [6:18] > Saint Of Circumstance [6:01] > Space [2:50] > Comes A Time [8:24] > The Other One [7:37] > Drums [8:45] > Space [3:11] > Black Peter [9:17] > Around And Around [3:57] > Johnny B. Goode [4:09] Encore Don't Ease Me In (audience version) You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod051526.mp3 My thanks for your kind support

The Dead have a long history of great Spring performances, and 1980 was no exception. This week we go to Nassau for the May 14, 1980 show at the Nassau Coliseum in Uniondale, New York. This was the first night of a three‑show run, with the last two nights later compiled on the 2002 "Go To Nassau" release, leaving this opening show as the odd one out from the official catalog. This show comes shortly after the "Go To Heaven" release, so they open with "Alabama Getaway." Jerry gives us a fine reading of "Candyman," and the arrangements on Weir's "country" tunes—"Mexicali Blues" and "El Paso"—are rockin'. "Tennessee Jed" follows, with Brent providing a lovely counterpoint to Garcia's leads. "Let It Grow" then leads into a still‑new "Althea." Another "Go To Heaven" tune follows, Brent's "Easy to Love You," which leads into a rocking, set‑closing "Music Never Stopped." Let's settle in at Nassau Coliseum, May 14, 1980, on this week's Deadpod. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/14/1980 - Wednesday One Alabama Getaway [4:10] > The Promised Land [4:08] ; Candyman [7:32] ; Mexicali Blues [4:33] > El Paso [4:22] ; Tennessee Jed [9:25] ; Let It Grow [9:00] > Althea [8:15] ; Easy To Love You [3:49] > The Music Never Stopped [7:38] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod050826.mp3 As always my sincere thanks for your kind support.

This week's Deadpod takes us back to Pasadena, California, and the Rose Palace on May 10, 1969. This is a fierce, high-energy slice of early Dead, complete with a few rough edges from the road. "Hard To Handle" and "Morning Dew" both run into technical trouble, with the band's frustration coming through loud and clear, but the real centerpiece here is the long psychedelic run from "Dark Star" into "Saint Stephen," "The Eleven," and a nearly half-hour "Turn On Your Love Light." It's primal Dead, unpredictable and powerful, with all the danger and electricity of 1969 still crackling through the tape. Grateful Dead Rose Palace Pasadena, CA 5/10/1969 - Saturday One Hard To Handle [5:33];[1:05] Me And My Uncle [3:31];[0:57] Morning Dew [8:06] Yellow Dog Story [1:51];[0:23] Doin' That Rag [6:32];[0:31] Dark Star [20:59] > Saint Stephen [6:08] > The Eleven [15:56] > Turn On Your Love Light [29:31] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod050126.mp3 This was originally recorded by Bear on an Ampex C90 cassette on a Concord F-400 Cassette Deck