M.A.S.K.E.D. M.A.Y.H.E.M.

After a multi-year journey, the hosts reach the end of their review of the M.A.S.K. animated series. They discuss the show's lack of character development, poor writing, and missed opportunities for continuity, while acknowledging its strong original premise and iconic vehicle toy line. The hosts explore how the series compares to other 80s cartoons and share their hopes for a potential modern revival or feature film. The episode concludes with a final verdict on whether the series holds up to nostalgia.

The hosts break down three late-season M.A.S.K. episodes, criticizing the series' decline in writing quality and the disappearance of key vehicles and characters compared to season one. They analyze "For One Shining Moment" for its missed potential as a series finale, discuss the repetitive racing plots of "High Noon" and "The Battle for Baja," and evaluate the surprising character growth shown in the interactions between Brad Turner and Vanessa Warfield. The discussion also covers the show's inconsistent continuity, the poor animation of sibling characters, and the frustrations of watching the final episodes of a show that has abandoned its best elements.

The hosts discuss the dwindling quality and repetitive plots of the M.A.S.K. racing series episodes 'The Battle of the Giants,' 'Race Against Time,' and 'Challenge of the Masters.' They critique the shift away from the show's original premise, the poor animation style, and the excessive reliance on new vehicle toys that don't match the quality of the first season. With the podcast nearing its conclusion, the hosts reflect on their negative experience with these final episodes and the lack of depth in the current storytelling.

The hosts kick off the ten-episode Racing Series with a look at three early episodes: 'Demolition Duel to the Death', 'Where Eagles Dare', and 'Homeward Bound'. They discuss the shift in tone and direction, the introduction of new characters like Boris Bushkin and Ali Bombay, and the absence of established leads like Matt Tracker and Miles Mayhem. The conversation covers character development, the new vehicle designs, and the effectiveness of the updated voice direction, while also critiquing the odd PSA segments and some repetitive plot points.

Reflecting on the completion of the 65-episode first season, the hosts break down their favorite and least favorite episodes, critique character development, and compare overall ratings. They discuss the series' repetitive formula and thin plots, while contrasting the poor writing against the high quality of the original toy line. The episode concludes with a brief look ahead at what to expect from the upcoming 10-episode racing series.

The hosts break down the final three episodes of the first season of M.A.S.K., discussing the repetitive nature of the treasure-hunt plots and the lackluster execution compared to other 80s animated series like Transformers and He-Man. They critique the flat voice acting, the inconsistent characterization of T-Bob, and the lack of a meaningful season finale that could have explored the backstory between Matt Trakker and Miles Mayhem. The discussion also touches on the quality of the show's public service announcements and the missed opportunity to adapt the darker comic book history of the characters.

A look at three episodes of the 1985 M.A.S.K. cartoon series. The hosts analyze the plot devices and execution of 'The Venice Menace,' 'Treasure of Nazca,' and 'Disappearing Act,' noting frequent reuses of shrinking rays and formulaic treasure hunts. They discuss highlights including the jelly-based effects in Venice, the animation of the Piranha vehicle, and humorous moments with T-Bob, while expressing frustration with repetitive storytelling and lackluster pacing in the latter two episodes.

This episode covers three entries in the animated series, focusing on 'The Incident in Istanbul,' 'The Creeping Desert,' and 'The Scarlet Empress.' The hosts critique the show's repetitive treasure-hunt plots, flat voice acting, and lack of character depth. They discuss the mechanics of specific scenes, such as the chess-themed floor and the shrinking statue, while expressing frustration over the lack of variety in the global settings. The conversation also highlights poor animation choices, questionable parental decisions by Matt Trakker, and the ineffective nature of the included public service announcements.

The hosts review three episodes of M.A.S.K. in one sitting, analyzing the plot, animation quality, and character dynamics of "Fog on Boulder Hill," "Plunder of Glowworm Grotto," and "Stone Trees." They discuss their frustration with the series' repetitive treasure-hunt tropes and poor writing, while highlighting specific moments that worked, such as the use of the Boulder Hill set and Miles Mayhem's villainous behavior. The conversation also covers animation errors, confusing character roles, and the lack of urgency in the show's pacing.

The hosts break down three episodes of the animated series, highlighting their frustrations with the show's recurring plot holes, inconsistent character behavior, and questionable safety standards for the younger characters. They discuss the return of specific team members like Brad and Julio, while critiquing the recurring lack of clear motivation for the Venom organization. Throughout the discussion, the hosts point out animation errors and share their thoughts on the show's attempts at educational moments and PSAs, ultimately debating which episodes merit any praise versus those that fall flat.

This episode covers two installments of the 1980s animated series, analyzing the repetitive gold-hunting plot structures and the recurring absence of title cards and writer credits. The hosts discuss the introduction of new characters like Ace Riker, Bruno Shepard, Julio Lopez, and Calhoun Burns, while expressing frustration over the lack of character development throughout the series. Additionally, the episode highlights specific animation moments, such as the transformation of the Switchblade vehicle, and compares the show's storytelling caliber to other 80s cartoons like He-Man and the Masters of the Universe.

A breakdown and critique of M.A.S.K. episodes 45, 46, and 47, titled "The Specter of Captain Kidd," "The Secret of the Stones," and "The Lost Fleet." The hosts discuss the show's repetitive reliance on treasure hunt plots, the introduction of the new character Floyd Malloy, and the recurring lack of character development. They also evaluate the animation, the use of character masks, the logic behind the show's action scenes, and the effectiveness of the included public service announcements.

The hosts review two M.A.S.K. episodes, focusing on the introduction of venom agent Bruno Shepard and the heist-themed plot involving trained ravens at the Tower of London. The discussion highlights the show's repetitive treasure hunt narratives, inconsistent animation quality regarding character survival and vehicle damage, and the lack of meaningful character development. The hosts also share personal nostalgia for the Rhino toy and debate the merits of specific plot points, including the use of advanced computer technology and the portrayal of Matt Tracker as a father.

The hosts break down three specific M.A.S.K. episodes, starting with the discovery of an ancient artifact in "The Kingdom of the Crystal Skull," which allows Miles Mayhem to identify Matt Tracker. They then discuss the bank heist premise and EMP-focused plot of "Stop Motion" before finishing with the treasure-hunting narrative found in "The Artemis Enigma." Throughout the episode, the hosts share their frustrations with the show's writing, specifically regarding the characters T-Bob and Scott, while also analyzing the animation quality, the recurring PSAs, and the logical inconsistencies found within the series.

The hosts break down two episodes of the 80s animated series, critiquing the repetitive treasure hunt plots, confusing animation choices, and inconsistent character logic. They analyze the structural flaws of the show compared to other toy-based cartoons of the era, discuss the backstory provided in the Green Nightmare, and examine the odd public service announcements attached to each episode. They also touch upon the potential for a modern-day film adaptation of the franchise.

The show returns from a two-year hiatus to discuss episodes 35 and 36 of M.A.S.K. The hosts introduce a new co-host, examine the series' persistent narrative flaws and character issues, and review the plots of "In Dutch," which involves Venom threatening the dikes of the Netherlands, and "The Horse Mystery," featuring the theft of prize-winning stallions.

MILES MAYHEM HAS WON!!!!!!!! M.A.S.K.E.D. M.A.Y.H.E.M. has been on an indefinite hiatus since Episode 14. We do plan on wrapping up the entire show by the end of 2013. We just can’t bring outselves to “enjoy it” at this moment!!! Doggy Bag Mode Geeks: Kevin “OptimusSolo” Thompson Mike “TFG1″ Blanchard Subscribe to us using iTunes ...

This episode covers episodes 33 and 34 of the M.A.S.K. animated series. The hosts analyze the plot and animation of "Caesar's Sword," expressing frustration over poor pacing, weak logic regarding a Roman artifact, and questionable animation choices like the "doggy bag" scene with T-Bob. They contrast this with their thoughts on "Peril in Paris," noting it stands out for featuring a smaller, focused team dynamic with Matt and Buddy instead of the typical team assembly process.

The hosts break down three episodes of M.A.S.K., analyzing the plot, character interactions, and recurring tropes within the series. They discuss the treasure-hunting nature of the storytelling, the frustrations with repetitive Venom character usage, and the inconsistencies in the show's animation and voice acting. Additionally, they examine the specific sequences where the M.A.S.K. team is assembled, questioning the show's departure from its earlier visual standards and the overall effectiveness of the episode writing.

We break down the episodes 'Blackout' and 'A Matter of Gravity,' discussing the lack of clear motivation for Venom’s plans and the recurring frustration with how the team knows where to find the enemy. We touch on the introduction of the new vehicles, Blackout and Night Stalker, and offer our thoughts on T-Bob’s role, the awkward writing choices, and the animation quality. Finally, we share our final scores for both episodes and take a look at the featured PSAs.