The Drama Coach Podcast

That’s a wrap on Series 2 of The Drama Coach Podcast! In this special round-up episode, I’m looking back at some of the biggest lessons, ideas and reminders from an incredible series of conversations with actors, coaches, casting directors, voice professionals and industry experts. We revisit some of my favourite takeaways from: Laura Graham May - finding your own path through drama and performance Kate Harbour - why voice acting is acting Rosie Stancliffe - voice, identity and truthful performance Katie and Ethan - university, drama school and choosing the training route that suits you Brian Maitland - social media, visibility and staying safe online Jamie Boddy - the business of acting and understanding your personal brand Adam Stadius - what drama schools are really looking for Helen Goldwyn - building a long-lasting creative career Liane Marie - what casting directors actually want from your self-tape Alexa Morden from The 98% - agents, representation and knowing your worth Derek Barr - craft, mindset, business and staying ready Kateland Cunningham - trusting yourself as an artist and letting go of perfection Looking back across the whole series, one message keeps coming through: There is no single correct route into this industry. Learn the craft. Understand the business. Stay curious. Stay safe. Keep training. Take the advice that helps you - but don’t lose yourself in the process. I also share a little about my 1:1 coaching for actors and young performers. If you’d like support with acting technique, self-tapes, auditions, monologues, screen acting, confidence or working out what to develop next, you can find details here: Coaching: www.thedramacoach.co.uk And finally… Series 3 is coming. The Performer’s Toolkit launches 29 September , with practical conversations around self-tapes, showreels, screen acting, casting, auditions, stronger choices and what performers can actually work on between opportunities. Make sure you follow or subscribe so you don’t miss it. Thank you to every guest who contributed to Series 2 - and most importantly, thank you for listening, sharing and supporting the podcast. Onwards to Series 3. 🎭 Follow on Socials: @TheDramaCoach

That’s a wrap on Series 2 of The Drama Coach Podcast! In this special round-up episode, I’m looking back at some of the biggest lessons, ideas and reminders from an incredible series of conversations with actors, coaches, casting directors, voice professionals and industry experts. We revisit some of my favourite takeaways from: ​Laura Graham May - finding your own path through drama and performance ​Kate Harbour - why voice acting is acting ​Rosie Stancliffe - voice, identity and truthful performance ​Katie and Ethan - university, drama school and choosing the training route that suits you ​Brian Maitland - social media, visibility and staying safe online ​Jamie Boddy - the business of acting and understanding your personal brand ​Adam Stadius - what drama schools are really looking for ​Helen Goldwyn - building a long-lasting creative career ​Liane Marie - what casting directors actually want from your self-tape ​Alexa Morden from The 98% - agents, representation and knowing your worth ​Derek Barr - craft, mindset, business and staying ready ​Kateland Cunningham - trusting yourself as an artist and letting go of perfection Looking back across the whole series, one message keeps coming through: There is no single correct route into this industry. Learn the craft. Understand the business. Stay curious. Stay safe. Keep training. Take the advice that helps you - but don’t lose yourself in the process. I also share a little about my 1:1 coaching for actors and young performers. If you’d like support with acting technique, self-tapes, auditions, monologues, screen acting, confidence or working out what to develop next, you can find details here: Coaching: www.thedramacoach.co.uk And finally… Series 3 is coming. The Performer’s Toolkit launches 29 September , with practical conversations around self-tapes, showreels, screen acting, casting, auditions, stronger choices and what performers can actually work on between opportunities. Make sure you follow or subscribe so you don’t miss it. Thank you to every guest who contributed to Series 2 - and most importantly, thank you for listening, sharing and supporting the podcast. Onwards to Series 3. 🎭 Follow on Socials: @TheDramaCoach

In this episode of The Drama Coach Podcast, Lisa is joined by actor, singer and coach Kateland Cunningham. Based in Los Angeles, Kateland works with performers across acting and vocal training, bringing together classical vocal technique, Stanislavski-based acting work and a student-led approach to learning. This conversation explores what it really means to grow as a performer - not just technically, but creatively and personally too. Lisa and Kateland talk about acting training, singing, confidence, intuition, perfectionism, safe learning spaces and why young performers need to feel ownership over their own creative choices. They also discuss the difference between teaching and coaching, how performers can build a process that works for them, and why being a successful artist should not mean sacrificing happiness. In this episode, they discuss: Kateland’s journey from childhood commercial work to theatre, singing and coaching Why student-led teaching can help performers grow with more confidence The difference between coaching for an urgent audition and teaching for long-term development Stanislavski, truthful acting and finding a process that works Why intuition matters in acting, singing and choosing material Helping young performers take ownership of their choices Perfectionism, people pleasing and the pressure to get everything right Why safe creative spaces matter, especially for younger performers The importance of supportive networks and healthy industry connections Why singers do not need to rush to define their voice type What success can mean beyond roles, credits or external approval This is a thoughtful episode for young performers, parents, teachers and coaches who want to understand training in a deeper, healthier and more artist-led way. Find Kateland: TikTok: @traininganartist Website: KatelandCunningham.com Mentioned in this episode: Rosie’s voice episode - https://spotifycreators-web.app.link/e/YRBwv1IKD3b SceneTribe - https://scenetribe.com The Drama Coach - https://thedramacoach.co.uk Music: Soft Music 495878 by nastelbom from Pixabay.

Training matters. Drama classes, youth theatre, LAMDA, musical theatre, screen acting courses, university drama courses and drama school can all help young performers build confidence, craft, discipline and creativity. But even brilliant training does not always teach you how the acting industry actually works. In this solo episode of The Drama Coach Podcast, Lisa talks about the gap between training and the real industry - and why older teens, drama students, early career actors and parents can sometimes feel lost when acting starts to become more professional. Because acting is not only about being good in the room. It is also about self-tapes, headshots, profiles, casting platforms, agents, emails, deadlines, availability, rejection, safety, networking, visibility and knowing when to say yes or no. This episode looks at how performers can start bridging that gap in a calm, practical and realistic way. In this episode, Lisa talks about: Why training still matters The difference between craft and career Why there is no clear map in the acting industry Headshots and first impressions CVs, profiles and keeping materials updated Casting platforms and choosing the right tools for your stage Why self-taping is now part of the craft Professional communication and replying properly Availability, reliability and reputation Money, unpaid work and knowing the value of your time Safety, boundaries and red flags Rejection, silence and staying steady Networking without being fake or pushy Social media, visibility and healthy boundaries Creating your own work instead of only waiting to be chosen What parents can do to support young performers well Why older teens and early career actors need to start taking ownership This episode is for young actors, older teens, drama students, early career performers, graduates and parents who want to understand what comes after training. Because becoming an actor is not just about talent. It is about craft, professionalism, resilience, curiosity, safety and learning how to keep going when the path is not perfectly clear. Useful links: Find Lisa on Instagram, TikTok, Facebook and YouTube: @TheDramaCoach Email Lisa: lisa@thedramacoach.co.uk This episode is supported by SceneTribe - the creative industries network built around the work you’ve done and the people you’ve done it with. Find out more at: www.scenetribe.com Music: Soft Music 495878 by nastelbom from Pixabay.

In this episode of The Drama Coach Podcast, Lisa is joined by Derek Barr - actor, acting coach and founder of The Acting Masters. Derek has worked across television, film and theatre, and now coaches actors through The Acting Masters with a strong focus on craft, mindset and the business of building a sustainable acting career. This conversation is especially useful for teens, young adults, emerging actors and the parents supporting them. Derek talks honestly about what actors can actually work on between jobs, how to approach auditions and self-tapes, and why mindset matters just as much as talent. Rather than waiting, hoping or comparing, Derek encourages actors to keep training, keep improving and stay ready for the next opportunity. In this episode, we talk about: What it really means to treat acting as a craft Why actors need to work on craft, mindset and business together How to stay ready between auditions and acting jobs Why Derek believes actors are not there to get a job - they are there to do a job Practical self-tape advice, including framing, lighting, stillness and eyelines Why technical distractions can get in the way of performance How to watch your own work back without spiralling into overthinking Derek’s three-take approach to self-tapes Casting type and actor branding for emerging performers What actors should understand before seeking representation How parents can help protect a young actor’s confidence Why online training and Zoom auditions are now essential acting skills The importance of taking action, even when you do not feel ready This is a really practical and encouraging conversation for anyone who wants to take acting seriously without losing the joy of it. Derek’s advice is clear: keep doing the work, keep building your confidence, and remember that acting is not about being perfect - it is about being truthful. Find Derek Barr and The Acting Masters: Website: https://theactormasters.com Community/training platform: https://www.skool.com/the-acting-masters Find Lisa Southam - The Drama Coach: Website: https://www.thedramacoach.co.uk Blog: https://www.thedramacoach.co.uk/blog/ Instagram & TikTok: @thedramacoach Listen to more episodes of The Drama Coach Podcast for conversations about acting, training, self-tapes, confidence, auditions, agents and supporting young performers. Music: Soft Music 495878 by nastelbom from Pixabay

Welcome to The Drama Coach Podcast - practical, honest conversations for performers and parents of young performers navigating acting, training and the industry. Hosted by actor, drama coach and podcast host Lisa Southam , the podcast covers acting technique, self-tapes, auditions, agents and representation, confidence, casting, working on set and the things nobody really explains when you're starting out. You’ll hear from actors, casting directors, agents, directors, coaches and other industry professionals - alongside practical solo episodes you can put into action. Whether you're just starting out, supporting a young performer or already working and looking to keep developing, there’s something here for you. Follow The Drama Coach Podcast and start exploring the episodes. The Drama Coach Podcast Hosted by Lisa Southam - actor, drama coach and podcast host. Follow @thedramacoach on Instagram, TikTok and YouTube.

In this solo episode of The Drama Coach Podcast, Lisa talks about how young performers, older teens and early career actors can move beyond the basic self-tape setup and start making stronger, clearer acting choices. Self-tapes are now a huge part of the acting world - but not every tape needs the same approach. A TV drama tape, drama school monologue, comedy scene, commercial casting, musical theatre submission or voiceover-style read may all need slightly different energy, style and focus. In this episode, Lisa explores how to work out what kind of self-tape you are making, what the viewer needs to see, and how to make choices that feel truthful, specific and connected - without over-performing or trying too hard to “stand out”. This episode covers: Why the purpose of the self-tape matters The difference between screen, stage, comedy, commercial and drama school tapes Wardrobe choices - suggesting character without dressing up When props help and when they distract How to slate clearly and confidently Why too many takes can kill spontaneity How to watch yourself back without self-criticism The changing role of parents as teen performers get older Why older teens need to start taking ownership of their self-tapes How specificity makes a tape more watchable Common self-tape mistakes to avoid Why not booking the role does not mean the tape was bad A simple self-tape checklist before you send A strong self-tape is not about perfection. It is about truth, clarity, connection and making choices that suit the role, the project and the purpose of the audition. This episode is ideal for young actors, teen performers, early career actors, drama students and parents supporting young performers through auditions. Useful links: Find Lisa on Instagram, TikTok, Facebook and YouTube: @TheDramaCoach Email Lisa: lisa@thedramacoach.co.uk This episode is supported by SceneTribe - the creative industries network built around the work you’ve done and the people you’ve done it with. Find out more at: www.scenetribe.com Music: Soft Music 495878 by nastelbom from Pixabay.

In this episode of The Drama Coach Podcast , Lisa is joined by Alexa Morden - actor, writer, coach and host of The 98% podcast - for an honest and important conversation about agents, representation and red flags in the acting industry. For many young performers, emerging actors and parents, getting an agent can feel like the ultimate goal. But representation should never be about fear, desperation or handing over control of your career. Alexa has spent years speaking openly about the realities of being a working actor, from rejection and resilience to money, confidence, mental health and life between jobs. Through The 98% podcast, Acting With Alexa, her book Beyond the Spotlight and her advocacy work, she has also become a strong voice for actors and parents navigating unsafe or questionable industry practice. In this episode, Lisa and Alexa discuss: Why getting an agent can feel like such a huge milestone Why having any agent is not always better than having no agent What a healthy agent relationship should feel like Communication, trust and professional boundaries Agent red flags and warning signs Upfront fees, admin fees, contracts, commission and payment concerns Why actors and parents should keep a paper trail What to do if pay is delayed or unclear Why intimidation or being made to feel small is never okay How social media can make some agencies look more impressive than they are Why bigger is not always better Questions to ask before signing with an agent Being dropped, not getting signed and handling rejection Why your gut instinct matters A key message from this episode is that representation should be a professional partnership. Actors and parents are allowed to ask questions, read contracts carefully, take their time and walk away if something does not feel right. This episode is not about scaring young performers or parents away from the industry. It is about helping them feel informed, prepared and empowered. IMPORTANT CLARIFICATION: Alexa speaks in this episode about agents requiring Spotlight membership to be considered for representation potentially being unlawful, based on guidance she had received from industry professionals about legislation relating to agencies requiring paid-for services. Since recording, Alexa has carried out further research and been informed that requiring Spotlight membership is not considered unlawful because the agent does not benefit financially from that membership. However, child performers cannot join Spotlight without representation. So if you are just getting started, a legitimate children's agency should not have an issue with you not already being on Spotlight, as this is something they can help you with. For more information about agencies charging admin fees, visit: www.the-98-percent.com Where to find Alexa: The 98% podcast - available wherever you get your podcasts Website and industry resources: www.the-98-percent.com Instagram: @the98percentpod Acting With Alexa: @acting.with.alexa Alexa's book Beyond the Spotlight , co-written with her dad, explores how to survive and thrive in the real world of acting and performing arts. Where to find Lisa and The Drama Coach: TikTok, Instagram and YouTube: @TheDramaCoach SceneTribe: This episode is supported by SceneTribe - the creative industry network built around your credits, collaborations and the work you have actually done. www.scenetribe.com Music from Pixabay: Soft Music 495878 by Nastelbom

Hello to our listeners around the world. In this solo episode of The Drama Coach Podcast, Lisa takes a moment to say thank you to everyone listening and watching - not only in the UK, but also in the United States, Germany, Australia, Austria, New Zealand, Switzerland and beyond. This episode is a little different. It is part thank you, part reflection, and part invitation. As the podcast reaches listeners in different countries, Lisa explores how acting, training and auditions can look different depending on where you are - while also recognising that many of the questions underneath are the same. How do I train? How do I find experience? How do I know if an opportunity is safe? How do I cope with rejection? How do I prepare for auditions? How do I support my child without putting too much pressure on them? How do I know if I am doing enough - or too much? Whether you are a parent of a young performer, a teenage actor, an early career performer, a drama teacher, chaperone, agent, casting professional or someone simply curious about the industry, this episode is for you. Lisa talks about: Why podcast listeners in different countries feel so meaningful How acting routes can vary between countries UK systems such as Spotlight, agents, LAMDA exams, youth theatre and chaperones How the American industry may involve managers, Actors Access, unions and different local markets Why Australia, New Zealand, Germany, Austria and Switzerland may have different training and industry routes Why there is not one correct path into acting The emotional role of parents supporting young performers Why young actors do not need to have everything figured out The value of curiosity, kindness and resilience How performers, parents and teachers can learn from each other internationally The main message of this episode is simple: there is not one right route into acting. Some performers start in youth theatre. Some begin through school shows, dance, commercials, voiceover, local drama groups or screen acting classes. Some train at drama school or university. Some start young, some start later, and some discover that they love writing, directing, teaching, producing, editing, movement or backstage work. The industry is not one fixed ladder. It is a landscape. Lisa also invites listeners outside the UK to get in touch and share what acting, training and auditions look like where they are. What casting platforms do people use in your country? Do young performers usually have agents? Are self-tapes common? Is theatre the main route? Is screen work growing? What do you wish more people understood about your industry? You can message Lisa on Instagram, TikTok, Facebook or YouTube at The Drama Coach, or email lisa@thedramacoach.co.uk . This could become a future listener question section or mini-series, with views from parents, young actors, teachers and creatives around the world. This episode is supported by SceneTribe. SceneTribe is the creative industries network built around the work you have done and the people you have done it with. Creatives can build multidisciplinary profiles, connect credits to productions and make real collaborations visible. With under-18 parent-managed profiles now available, SceneTribe is becoming a really interesting space for young performers and their families to explore safely and thoughtfully. Find out more at: https://scenetribe.com Connect with Lisa / The Drama Coach Instagram: https://www.instagram.com/thedramacoach TikTok: https://www.tiktok.com/@thedramacoach Facebook: https://www.facebook.com/thedramacoach YouTube: https://www.youtube.com/@thedramacoach Email: lisa@thedramacoach.co.uk The Drama Coach Podcast is for young performers, parents, emerging actors and anyone supporting young people as they navigate acting, auditions, training, confidence and the industry. Music Music: Soft Music 495878 by nastelbom from Pixabay.

What does a Casting Director really notice in a self-tape - and what happens after an actor presses send? In this episode of The Drama Coach Podcast, Lisa is joined by professional Casting Director Liyanne Marie , who works across commercials, film, television, live projects, media content and vertical drama. Liyanne takes us behind the scenes of the casting process, explaining how Casting Directors interpret a creative brief, search for talent and help bring a director’s vision to life. She also shares honest, practical advice about self-tapes, safe casting practices, professional behaviour and building a sustainable creative career. As one of the first UK Casting Directors working extensively in vertical drama, Liyanne also explains what this rapidly growing mobile-first format involves, why its acting style can feel different and how it is creating new opportunities for performers. In this episode, Lisa and Liyanne discuss: ​What a Casting Director actually does behind the scenes ​How performers are discovered and selected for auditions ​Why receiving a self-tape request is already an achievement ​What makes an actor stand out for the right reasons ​The importance of presence, energy, confidence and a strong eyeline ​Why actors should stop trying to guess what Casting Directors want ​Creating the world of the scene rather than simply delivering the lines ​Self-tape lighting, sound, backgrounds and framing ​Why a small mistake does not necessarily ruin an audition ​What vertical and micro dramas are ​The heightened acting style often used in vertical drama ​The speed, script demands and opportunities involved in these productions ​Casting safety and researching opportunities before submitting ​Why parents and performers should always ask questions ​Agents, Spotlight profiles, headshots and social-media visibility ​Staying safe when managing a young performer’s online profile ​Professional behaviour on set - for performers and parents ​Why kindness, preparation and reputation matter in a small industry ​Remaining proactive when acting opportunities feel limited ​Building a creative career without losing your confidence or passion Liyanne also reminds performers that Casting Directors want actors to succeed. Being invited to audition means that somebody has already seen potential in you - even when that particular audition does not lead to the job. Instagram: @liyannem Casting Instagram: @liyannemariecasting TikTok: @liyannemariecasting1 Website: https://liyannemariecasting.com/ LinkedIn: Liyanne Marie @TheDramaCoach on Socials Sponsored by SceneTribe This episode is supported by SceneTribe - the creative-industry network built around your credits, collaborations and the work you have actually done: https://scenetribe.com/ Soft Music 495878 by NastelbomMusic sourced from Pixabay.

Spotlight, Mandy, Backstage, StarNow, Casting Callback, Actors Access, SceneTribe… where do actors actually find auditions, and which casting platforms are worth using? In this solo episode of The Drama Coach Podcast, Lisa talks through the world of casting platforms and what they can - and can’t - do for actors, young performers and parents. Casting platforms can be brilliant tools, but they are not magic doors, career guarantees or measures of talent. They are one part of a much bigger picture that includes training, confidence, self-tape skills, good materials, safe adults, professional communication and the ability to handle rejection without losing the joy. This episode is especially for parents of young performers, teens, emerging actors and anyone feeling overwhelmed by the number of casting sites, subscriptions and opportunities out there. Lisa talks about: • What casting platforms are actually for • Why you do not need to be on everything • Spotlight and when it becomes useful in the UK • Actors Access and the US market • Mandy, Backstage, StarNow and Casting Callback • SceneTribe and creative industry profiles • How to think about paid platforms and subscriptions • What makes a good actor profile • Safety considerations for young performers • Why casting platforms are not a substitute for training • How to use audition sites without constantly checking, refreshing and worrying • Keeping the young person at the centre of the process The main message of this episode is simple: you do not need to be everywhere. You need to be in the right places for your stage, your goals and your safety. For young performers especially, the priority should always be good training, safe support, clear communication, healthy expectations and a performer who still loves what they are doing. Casting platforms can open doors, but they should never become the whole house. Useful links Spotlight: https://www.spotlight.com Mandy: https://www.mandy.com Backstage: https://www.backstage.com StarNow: https://www.starnow.com Casting Callback: https://www.castingcallback.com Actors Access: https://actorsaccess.com SceneTribe: https://scenetribe.com This episode is supported by SceneTribe. SceneTribe is the creative industries network built around the work you have done and the people you have done it with. Creatives can build multidisciplinary profiles, connect credits to productions and make real collaborations visible. With under-18 parent-managed profiles now available, SceneTribe is becoming a really interesting space for young performers and their families to explore safely and thoughtfully. Find out more at: https://scenetribe.com Connect with Lisa / The Drama Coach Instagram: https://www.instagram.com/thedramacoach TikTok: https://www.tiktok.com/@thedramacoach Facebook: https://www.facebook.com/thedramacoach YouTube: https://www.youtube.com/@thedramacoach The Drama Coach Podcast is for young performers, parents, emerging actors and anyone supporting young people as they navigate acting, auditions, training, confidence and the industry. Music: Soft Music 495878 by nastelbom from Pixabay.

In this episode of The Drama Coach Podcast, Lisa is joined by actor, voice artist, director, writer and composer Helen Goldwyn for an honest and thoughtful conversation about building a lasting career in the performing arts. Helen began professional training at Arts Educational Schools at the age of 12 and has since developed a wide-ranging creative career across theatre, musical theatre, audio drama, voiceover, directing, writing and composing. She is currently part of the company of Allegra , the new play starring Dame Maureen Lipman, covering the roles of Allegra and Anna as the production tours before heading into the West End. Together, Lisa and Helen explore what life as a working actor really looks like - including the joy of performing, the sacrifices involved, the importance of flexible work and what it takes to remain creative and resilient between acting jobs. Helen also shares refreshingly honest advice about casting, rejection and self-belief. She explains why performers need to separate their personal identity from their casting identity, why persistence and genuine industry relationships matter, and how creating your own work can help you stay active without waiting for somebody else’s permission. In this episode: Helen’s journey from full-time ballet training to a varied performing career The realities and sacrifices of life as a working actor Touring, understudying and staying ready to perform Why performers need flexible work alongside acting Opportunities within voiceover, audio drama and creative work Building genuine relationships without forced networking Handling rejection without making it personal Understanding your casting while valuing yourself beyond it Staying creative during quieter periods Social media as a professional tool - and maintaining safe boundaries Why comedy must be grounded in truth Finding the skills and qualities that make you distinctive Positive affirmations, confidence and learning to recognise your achievements How parents can offer constructive feedback without undermining confidence Learning to be happy between acting jobs Helen’s central message is an important one: You are not defined by whether you are currently acting or by how successful your career appears to be. There are other parts of life to enjoy, other ways to remain creative and many different versions of a successful performing career. Tiktok & Instagram: @a_real_character Website and voice demos: https://helengoldwyn.com YouTube - comedy songs, performances and creative work: https://www.youtube.com/channel/UC9B_3kt2DNvNuGlgSKJ41dA Facebook: Search Helen Goldwyn - Composer/Performer Website and coaching: https://www.lisasoutham.co.uk TikTok, YouTube and Facebook: @TheDramaCoach All podcast episodes, acting resources and useful links: https://linktr.ee/thedramacoach SceneTribe is a creative networking platform helping performers and other creatives build profiles, make connections and become part of a supportive professional community. Find out more: https://scenetribe.com ‘Soft Music 495878’ by NastelbomMusic sourced from Pixabay. Follow or subscribe to The Drama Coach Podcast and share this episode with a young performer, parent or early-career actor who may find it useful.

Speaking with confidence isn't just about standing on a stage or delivering a presentation. For young performers, it's walking into an audition room, introducing yourself on a self-tape, answering interview questions, speaking up in rehearsals and learning to trust your own voice. In this solo episode, Lisa explores why confidence isn't something you're born with - it's something you build. Drawing on her experience as an actor, communication coach and drama teacher, she shares practical tools to help performers, parents and anyone who wants to communicate more clearly and authentically. Inspired by the themes in her book Confidence Within , this episode is packed with simple techniques you can start using today. Why confidence is a skill, not a personality trait How acting and public speaking complement each other Why performers need communication skills beyond the performance itself The connection between breath, body language and voice How pauses can make you sound more confident Self-tape slates and speaking as yourself Eye contact, connection and authentic communication Helping young performers build confidence one small step at a time Why waiting until you "feel confident" rarely works Practical confidence tools for auditions, presentations and everyday life Supporting young performers without adding pressure Why acting teaches life skills that go far beyond the stage Building self-belief from the inside out Confidence Within: Begin Your Journey to Speaking with Clarity and Authenticity (Paperback, Kindle & Audiobook) SceneTribe The Car Journey Home - Helping your child after auditions and performances: https://spotifycreators-web.app.link/e/JFBjWUQcg4b Staying Safe in Castings: https://spotifycreators-web.app.link/e/c85TJ74cg4b In this episode, Lisa discusses:Resources mentioned:Related episodes: Connect with Lisa: Lisa Southam Website The Drama Coach Podcast Linktree Lisa offers 1:1 coaching for: Acting auditions Self-tapes Public speaking Confidence and communication Drama school preparation Young performers and adults Visit the website or get in touch via social media to find out more. SceneTribe - The creative industries network built around your credits, collaborations and the people you've worked with. Music: Soft Music 495878 by nastelbom from Pixabay CoachingThis episode is supported by:

In this episode of The Drama Coach Podcast, Lisa is joined by Adam Stadius from Get Into Drama School for a practical, honest and reassuring conversation about drama school auditions, actor training and preparing for the next stage. This episode is especially useful for teens, young adults and parents who are starting to think seriously about drama school, conservatoire training, audition preparation and what it actually takes to apply. Adam is an acting coach and actor training specialist whose work through Get Into Drama School helps applicants understand and prepare for drama school auditions. He is also a Meisner technique specialist, working through Northern Meisner Lab in Leeds, and is Deputy Head of the School of Drama at Leeds Conservatoire. Together, Lisa and Adam talk about how to choose where to apply, what schools are really looking for, how to prepare monologues and songs, and why the audition process is not about being perfect. It is about preparation, openness, curiosity and showing who you are as a performer. In this episode, we talk about: What drama school and conservatoire training actually involves Whether drama school is the only route into the industry How to choose which schools or courses to apply for Why open days and the “feel” of a school really matter Foundation courses, degrees, diplomas and different training routes What drama schools are looking for in applicants Talent, potential, attitude and work ethic How to choose strong audition material Why your monologue does not need to be the “perfect” piece on the page Contemporary and classical monologues Shakespeare and why doing the work matters Self-tape auditions and how not to overthink them What happens at an in-person audition or recall day How to approach redirection in the room Interview questions and being honest about where you are Meisner technique, listening and truthful acting How parents can support without adding pressure Why one audition season does not define your whole future A key message from this episode is that drama school auditions are not about arriving as a finished product. They are about showing potential, curiosity, willingness and a readiness to learn. For young performers, this is a brilliant reminder that you do not have to be perfect. You need to be prepared, open and brave enough to bring yourself to the work. For parents, it is a helpful look behind the curtain at what drama school auditions can involve, and how you can support your young performer without taking over or adding extra pressure. Where to find Adam: Get in to Drama School on TikTok: @dramaschooltips You can also find his online school community through the link in his bio. For Meisner technique and classes in Leeds, you can find Northern Meisner Lab on Instagram: @northernmeisnerlab Where to find Lisa: TikTok, Instagram and YouTube: @TheDramaCoach This episode is supported by SceneTribe - the creative industry network built around your credits, collaborations and the work you have actually done. Find out more at: www.scenetribe.com Music from Pixabay:Soft Music 495878 by Nastelbom

Why Young Performers Need More Than a CV In this solo episode of The Drama Coach Podcast, Lisa explores why a young performer's journey is about far more than credits, castings and professional CVs. From school productions and youth theatre to workshops, self-tapes and creative collaborations, every experience contributes to a bigger picture of growth, confidence and professional awareness. Lisa reflects on how parents can help young performers recognise their progress, build healthy creative networks, and develop a sense of identity that isn't dependent on booking the next role. She also discusses online visibility, safety, and the importance of adult support when young performers begin creating a professional presence. Inspired by the launch of parent-managed under-18 profiles on SceneTribe, this episode opens up a wider conversation about helping young creatives build a record of their work safely, sensibly and with perspective. In this episode, Lisa discusses: Why young performers need more than a list of credits The difference between visibility and fame How creative experiences contribute to long-term development Why reflection is often more valuable than outcomes Building professional awareness and understanding the wider industry Networking without being pushy The importance of kindness, communication and reputation Parent-managed profiles and online safety What to include on a young performer's profile Supporting multidisciplinary creative interests Why no platform, profile or agent is a shortcut to success Practical steps parents can take this week to support their child How to help young performers build confidence in a healthy way Resources mentioned: SceneTribe Connect with Lisa: The Drama Coach Podcast Linktree Lisa Southam Website This episode is sponsored by: SceneTribe - The creative industries network built around the work you've done and the people you've done it with. Music: Music by Soft_Music 495878Nastelbom from Pixabay.

In this episode of The Drama Coach Podcast, Lisa is joined by Jamie Body - performer, presenter, journalist, podcast host and industry educator. Through his work on The Business of Show Business, Jamie helps performers understand not just the craft, but the career: Branding, self-promotion, networking, communication and the wider realities of building a creative life. This conversation is all about what young performers need beyond talent. Because while training, technique and performance skills absolutely matter, they are not the whole picture. Jamie and Lisa talk about the transferable skills that come from performing arts training, how to think about yourself as a creative professional, why branding does not have to feel fake, and how young performers can begin building confidence, clarity and professionalism as they step into the industry. Jamie also shares brilliant insight into networking, social media, audition rooms, presenting, journalism, rejection, red flags, parent support and the importance of knowing how to talk about who you are and what you bring. This is a really useful episode for young performers, parents, drama students and anyone trying to understand the industry in a wider, more grounded way. In this episode, we talk about: Jamie’s route from dance training into presenting, journalism, podcasting and industry education Why performing arts training gives you transferable skills for life Confidence, communication and the value of asking questions Why talent can get you one job, but professionalism helps build a career What “personal branding” really means for performers Why your in-person presence and online presence need to match How young performers can be specific without limiting themselves The importance of research before auditions and opportunities Networking without being pushy or fake Why social media can be useful, but should not be your only asset Parent-managed accounts, online professionalism and digital footprints Red flags around money, scams and unsafe opportunities Age-appropriate material for young performers Rejection, resilience and allowing yourself to feel disappointed Presenting, interviewing and the importance of listening Why performers need to value their time, skills, body, voice and wellbeing A few key takeaways: Talent matters, but it is not the only thing that builds a long, sustainable career. Your training gives you more than performance skills - it teaches you confidence, discipline, listening, communication, quick thinking and the ability to work with other people. Branding does not mean pretending to be something you are not. It is about understanding how people experience you, what you bring, and how clearly you communicate that. Networking is not just handing out business cards. It can happen in audition rooms, classes, rehearsals, waiting rooms and everyday conversations. Social media can be a helpful tool for performers, but it needs to be used thoughtfully, safely and professionally - especially when children and young performers are involved. For parents, this episode is a reminder that your child’s creative journey is not just about bookings, auditions or “making it”. It is also about the skills, confidence, relationships and self-understanding they build along the way. You can find Jamie on instagram & TikTok: @bodyjamie Podcast: The Business of Show BusinessYouTube: The Business of Show Business TikTok: @businessofshowbusiness Instagram: @the_business_of_show_business You can find Lisa and The Drama Coach on socials @thedramacoach https://linktr.ee/TheDramaCoach If you enjoyed this episode, please share it with a young performer, parent or creative who might find it useful.

In this solo episode of The Drama Coach Podcast , I’m following on from my conversation with Brian Maitland, actor, professional content creator and social media coach, to talk about social media for young actors. Whether we like it or not, social media is now part of the acting landscape. It can be useful for visibility, connection, learning, sharing work and building a creative network. But it can also become overwhelming, distracting and unhealthy if young performers start measuring their talent or worth by likes, views and followers. This episode is about using social media with more intention. Not posting because you are panicking. Not posting because everyone else is. Not posting because you feel you need to prove something. Posting with purpose. In this episode, I talk about: Why social media is a tool, not your whole acting career How actors can use social media professionally and safely What “post with purpose” really means Why young performers should not chase validation online Social media safety for children and teens What parents need to consider before posting about their child’s acting journey Why confidential audition material, scripts and set details should not be shared Useful content ideas for actors and young performers What not to post online Why views, likes and followers are not a measure of talent This episode is especially useful for young actors, parents of young performers, teen performers, drama students and anyone trying to navigate acting, social media, visibility and professionalism in a healthier way. This episode is sponsored by SceneTribe - the new network for the creative industries. SceneTribe is a new platform for actors, performers, crew, creatives, agents and producers, built around your actual work, your credits, your collaborations and the people you’ve worked with. Find out more at https://scenetribe.com/ Follow The Drama Coach: Instagram: @thedramacoach TikTok: @thedramacoach YouTube: The Drama Coach Website: thedramacoach.co.uk If this episode helps, please follow, subscribe, leave a review or share it with a young performer, parent or actor who is trying to navigate social media in a grounded, purposeful way. Thank you :)

Social media is now part of the acting landscape - but how do you use it well without losing confidence, oversharing, or putting your career at risk? In this episode of The Drama Coach Podcast, I’m joined by Brian Maitland, an actor, professional content creator and social media coach. Brian is also part of Actors and Social Media, helping performers understand how to use social media in a more confident, professional and informed way. This is such an important conversation for actors, young performers and parents, because online presence can feel exciting, confusing, overwhelming - and sometimes a little bit exposing. We talk about how performers can show up online in a way that feels useful and authentic, while still keeping clear boundaries around safety, privacy and professionalism. Brian shares really practical advice on what actors should think about before posting, how social media can support a career, and where performers need to be careful. We also talk about career preservation, online behaviour, content creation and how actors can build confidence without feeling they have to become full-time influencers. In this episode, we chat about: Social media as part of the modern acting industry How actors can use online platforms professionally What young performers and parents need to consider before posting Online safety, privacy and boundaries Career preservation - and why your digital footprint matters The difference between being visible and oversharing How to create content without losing yourself Confidence, comparison and protecting your mindset online What performers should avoid posting Practical tips for actors who want to use social media more intentionally Guest links: @brianmaitland Actors and Social Media: ⁠http://www.actsocmed.com⁠ www.actsocmed.com @mrmckillop @abigailcoyy Follow The Drama Coach: Instagram: @thedramacoach TikTok: @thedramacoach YouTube: The Drama Coach Website: www.thedramacoach.co.uk The Drama Coach Podcast is for young performers, parents of young performers, and actors navigating training, auditions, confidence and the industry with a bit more clarity. Sponsored by SceneTribe This episode is sponsored by SceneTribe - a growing creative community helping performers, creatives and industry professionals connect, collaborate and be seen. Find out more and create your profile at: www.scenetribe.com

In this solo episode of The Drama Coach Podcast , I’m following on from my conversation with Ethan and Katie, who are studying Drama, Theatre and Performance at the University of Lincoln, to talk about something I think a lot of young performers need to hear: Drama school isn’t the only door. This is not an anti-drama-school episode. Drama school can be brilliant for the right person, at the right time, on the right course. But it is not the only valid route into acting, theatre, performance or the creative industries. For young performers, the pressure to find “the route” can feel huge. Drama school auditions, recalls, rejections, university choices, gap years, training options and comparison can all become overwhelming. This episode is here to offer a calmer, more honest perspective. In this episode, I talk about: Why there is no single perfect route into acting The pressure young performers can feel around drama school Why not getting into drama school does not mean you are not talented How “not yet” is different from “never” Why university drama can be a brilliant and valid option The value of making work, devising, writing, directing and collaborating Why actors need life experience, curiosity and resilience How to make any route active, not passive The comparison trap for young performers and parents Why the route matters less than what you do with it This episode is especially useful for older teens, parents of young performers, drama students, university applicants, drama school applicants, gap year students and anyone feeling unsure, disappointed or behind in their acting journey. This episode is sponsored by SceneTribe - the new network for the creative industries. SceneTribe is built around your credits, your collaborations and the work you’ve actually done, helping performers, crew, creatives, agents and producers build profiles and discover opportunities through real creative connections. https://scenetribe.com/ Follow The Drama Coach: Instagram: @thedramacoach TikTok: @thedramacoach YouTube: The Drama Coach Website: thedramacoach.co.uk If this episode helped you breathe a little bit, please share it with a young performer or parent who needs to hear that there is more than one door.

In this episode of The Drama Coach Podcast , I’m joined by Katie and Ethan , who are both studying Drama, Theatre and Performance at the University of Lincoln . This is a really honest conversation about what drama at university is actually like - from choosing a course, moving away from home and making friends, to dealing with pressure, comparison, rejection and the big question of whether drama school is the only “serious” route into the industry. Katie and Ethan speak brilliantly about finding a course that felt right for them, why university drama can offer a broader experience, and how studying drama can build confidence, communication skills, independence and resilience - whether you go on to act professionally or take those skills into another path. We talk about: Why Katie and Ethan chose university drama instead of drama school Whether drama school is still seen as “the route” The pressure young performers can feel when choosing their next step What their course actually involves day to day Screen acting, Shakespeare, devised work and performance modules Moving away from home and growing in independence Making friends and building a support system at university Rejection, comparison and staying resilient Why there is no single path into acting Side jobs, finances and staying realistic Advice for teens considering drama at university Advice for parents supporting those big decisions This episode is especially useful for teen performers , young actors , parents of young performers , and anyone wondering whether drama at university can be a valuable and meaningful route. As always, this is about building confidence, understanding and realistic expectations - whether you’re a young performer or a parent supporting one. Guest Links / Follow University of Lincoln - Drama, Theatre and Performance: https://www.lincoln.ac.uk/course/drathfub/ Ethan TikTok: @et.armour Follow The Drama Coach Podcast for honest conversations about acting, auditions, training, confidence and the industry - for young performers and the people supporting them. The Drama Coach: https://www.thedramacoach.co.uk Instagram / TikTok / YouTube: @TheDramaCoach Music: Soft Music 495878 by nastelbom, Pixabay.