Shutter Nonsense: A Nature Photography Podcast

Does landscape photography need a dramatic sky to be worth the trip? And what happens when chasing rare light becomes the only reason you pick up the camera? In this episode of Shutter Nonsense, we take a deliberately balanced look at epic landscape photography - why dramatic conditions are so appealing, the real skills the chase can build, and the creative tradeoffs that can appear when great weather or rare light becomes a requirement. We talk about weather forecasting, scouting, route planning, remote locations, social media expectations, and the value of simply getting more repetitions with the camera. Michael looks back at the year he stopped chasing sunrise and sunset and how that helped lead him into woodland photography. Jeffrey explains what repeated failed sunsets at Lindy Point have taught him about patience, adaptability, and finding photographs when the sky refuses to cooperate. Highlights: What we mean when we talk about an "epic" landscape or epic conditions Why rarity, dramatic weather, and the chase itself can be so rewarding How forecasting, planning, scouting, maps, and location research become part of the skill set Why photographing only rare conditions can reduce practice and raise expectations When specialization strengthens your work and when it may start feeling repetitive How failed sunsets and fogged-in overlooks can train adaptability and observation Why a temporary creative constraint can expose subjects you never knew you liked How we think about social-media response, personal fulfillment, and joy as measures of growth Join the free Shutter Nonsense community on Patreon and tell us your thoughts. Do you love the planning and adrenaline of the epic chase, or has your photography become more reactive over time? 👉 https://www.patreon.com/ShutterNonsense Related Links: Photography Workshop Selection Checklist - https://www.michaelrungphotography.com/finding-the-right-nature-photography-workshop-checklist Planning and Scouting for Photography Trips - https://www.shutternonsense.com/post/episode-22-planning-and-scouting-for-photography-trips Does Hit Rate Matter in Nature Photography? - https://www.shutternonsense.com/post/episode-24-does-hit-rate-matter-in-nature-photography Continue with the educational guide, where we turn the conversation into a practical framework for balancing epic conditions with regular practice, adaptability, creative experiments, and a definition of growth that still leaves room for joy. 👉 https://www.shutternonsense.com/learn Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

What happens when a place becomes more than a backdrop for your photography? In this episode of Shutter Nonsense, we sat down with nature photographer Andrew Baruffi to discuss his relationship with Zion National Park and the role the park, photography, and writing have played throughout his struggles with mental health. Andrew shares how repeated visits to Zion gave him a place to redirect his attention, why small scenes offered a manageable sense of focus, and how adding context to his photographs eventually led to his book, Heal. We also talk about returning to familiar routes, seeing beyond Zion's grand landscapes, the importance of creative community, and why the process of photography can matter as much as the finished image. Join the free Shutter Nonsense community on Patreon and tell us about a place that has become meaningful to you, whether or not it is famous or far from home. 👉 https://www.patreon.com/ShutterNonsense Content note: This episode includes candid discussion of depression and experiences with mental health, including a brief reference to suicidal thoughts. If you are struggling, consider reaching out to a qualified mental health professional. If you are in crisis or concerned that you may harm yourself, call or text 988 in the United States. If you are in immediate danger, call 911 or go to the nearest emergency room. Highlights: How Zion became deeply connected to Andrew's life and creative identity Why repeated visits and familiar routes can change the way a photographer sees a place How small-scene photography gave Andrew a contained creative focus Why he often photographs details, ice, reflected light, wildlife, and the ground beneath his feet How simple contextual writing became part of every image he shared The story behind Heal. and its combination of photographs and personal writing Why the process of photographing can matter beyond the final file How photography can create community and make adult friendships easier to begin Why nature and creative practice can support well-being without replacing professional care Related Links & Resources Andrew Baruffi Photography https://www.andrewbaruffiphoto.com/ About Andrew Baruffi - https://www.andrewbaruffiphoto.com/about Heal. - https://www.andrewbaruffiphoto.com/10947229-heal Andrew Baruffi on Instagram - https://www.instagram.com/andrewbaruffi/ Andrew Baruffi on YouTube - https://www.youtube.com/@andrewbaruffi Morten Hilmer https://mortenhilmer.com/ Thomas Heaton https://thomasheaton.co.uk/ Ben Horne https://www.benhorne.com/ Mountain Trail Press http://www.mountaintrailpress.com/ Zion Forever Project https://www.zionpark.org/ Joe Allam https://www.youtube.com/c/joeallam Courtney Victoria https://www.youtube.com/@CourtneyVictoria Grainydays (Jason Kummerfeldt) https://www.youtube.com/@grainydaysss Camera Conspiracies https://www.youtube.com/@cameraconspiracies 988 Suicide & Crisis Lifeline - https://988lifeline.org/ NIMH: Help for Mental Illnesses - https://www.nimh.nih.gov/health/find-help Continue with the educational guide, where we explain how to build a gentle relationship with a familiar place through repetition, attention, creative practice, community, and clear boundaries around when more support is needed: 👉 https://www.shutternonsense.com/learn

Wildlife photography can create a deeper connection with nature, but what happens when that connection begins before bad habits have a chance to take hold? In this episode, Shutter Nonsense hosts, Michael and Jeffrey, are joined by Utah wildlife photographer and conservation advocate Shauna Hart to discuss her work helping young photographers learn photography, understand wildlife, and develop ethical habits in the field. Shauna shares how a personal experience with a moose changed the direction of her photography and eventually led to her involvement with the Utah Wildlife Federation. The conversation explores her Lessons Through the Lens: Kids for Conservation program, why understanding the “why” behind wildlife guidelines matters, how to recognize signs of stress in animals, and how photographers can use their work to support conservation. They also discuss equipment barriers, wildlife crossings, local advocacy, and the small steps each of us can take to make a difference where we live. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. 👉 www.patreon.com/ShutterNonsense Highlights: How Shauna found her way from landscape photography to wildlife photography The encounter with a familiar moose that changed the direction of her work The growing problem of unethical wildlife viewing and photography Creating Lessons Through the Lens: Kids for Conservation Why teaching young photographers may create lasting change Recognizing when an animal is stressed or changing its behavior Making photography accessible regardless of someone’s equipment or budget Wildlife crossings, vehicle collisions, and the importance of slowing down Building relationships and taking action at the local level Shauna’s goal of expanding the youth program beyond Utah Related Links: Shauna’s website: https://www.shaunalhart.com/ Utah Wildlife Federation: https://www.utahwildlifefederation.org/ Jason Loftus: www.untamedimagesbyjl.com Beyond the Wild podcast: https://www.beyondthewildpodcast.com/ Youth Photography Camp: https://www.utahwildlifefederation.org/post/youth-conservation-photography-camp-offers-rare-opportunity-to-learn-from-top-utah-wildlife-photogra Local article on the camp: https://www.ksl.com/article/51336771/photographer-launches-ethical-photography-program-to-help-utah-wildlife-thrive Fossim Rim Wildlife Center: https://fossilrim.org/ Save People Save Wildlife: https://www.savepeoplesavewildlife.org/ Shauna’s recognition for wildlife crossing advocacy: https://www.savepeoplesavewildlife.org/post/local-photographer-shauna-hart-earns-national-recognition-and-highlights-the-need-for-wildlife-cross Crossings by Ben Goldfarb: https://www.bengoldfarb.com/crossings Lydia Ripplinger: https://www.instagram.com/lydebug/?hl=en National Wildlife Federation: https://www.nwf.org/ Bertie Gregory Nat Geo profile: https://explorers.nationalgeographic.org/directory/bertie-o-gregory Utah’s new rules for accessing wildlife refuges: https://www.ksl.com/article/51492990/utah-plans-to-adjust-wildlife-management-area-access-heres-what-is-changing Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

What happens to the photographs that do not make your first edit? In Episode 32 of Shutter Nonsense, Michael and Jeffrey take on the archive dilemma. Defining what a photo archive actually is, deciding what is worth keeping, and explaining why older files are often more valuable than they first appear. They talk through the practical and creative sides of holding on to your work. That includes revisiting older images with a more experienced eye, using newer editing tools to rescue files that once felt unusable, and accepting that a technically imperfect image can still be a successful photograph. They also compare their very different approaches to Lightroom ratings, folders, collections, storage, and backups. Have a different archive workflow? Join the conversation with us over on Patreon. Free members can participate in the post-episode discussion, while paid supporters help keep Shutter Nonsense going and get early access, bonus episodes, and more. 👉 https://www.patreon.com/ShutterNonsense Highlights What separates a true archive from photos that are still waiting to be edited Why photographers should not automatically treat older work as junk How a fresh perspective, changing style, and better software can reveal overlooked images When it makes sense to delete a photo and when it is better to keep it Michael and Jeffrey’s very different systems for star ratings, labels, filters, and culling Why an image does not have to be technically perfect to be worth sharing or printing The argument for keeping RAW files, even after an edit is complete Folder structures, Lightroom collections, and backup strategies for a growing archive Related Links PhotoPack Pro FAQ: https://www.photopackpro.com/faq Landscape Photographers Worldwide: https://discord.gg/xnJs9vXjJ Murray Livingston: https://www.murraylivingston.com/ Michael’s free ebooks: https://www.michaelrungphotography.com/free-ebooks Michael’s Hidden Gold blog post: https://www.michaelrungphotography.com/post/finding-gold Michael’s Lightroom organization guide: https://www.michaelrungphotography.com/post/pro-tips-for-using-ratings-color-labels Michael’s Survey View tutorial: https://youtu.be/VUJOCmXdwZc “Into the Shadow Realm”: https://www.michaelrungphotography.com/product-page/into-the-shadow-realm Suzanne Mathia’s Lightroom organization: https://suzannemathiablog.com/exploring-efficient-folder-organization-in-lightroom-classic/ Chrissy Donadi’s Lightroom organization course: https://chrissydonadi.com/lets-get-organized-course Michael’s article on backup solutions: https://www.michaelrungphotography.com/post/photography-backup-workflow Backblaze backup service: https://www.backblaze.com/cloud-backup/personal Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

Carbon transfer printing is one of those processes that somehow feels more complicated the longer you talk about it, and that is exactly why we wanted to have Michael Strickland on the show. Michael is a photographer and printmaker based in Kansas who specializes in carbon transfer printing, platinum-palladium printing, and drum scanning. He joins Michael and Jeffrey to break down what carbon printing actually is, how pigment, gelatin, UV light, and multiple transfers come together, and why the finished prints have a depth that is difficult to describe until you see one in person. But this is not just a technical conversation. Michael also talks about the challenge of building a business around a demanding handmade process, balancing the studio with family life, stepping back from his own landscape photography for a while, and finding creative satisfaction in helping other artists bring their work to life. From printing with soil collected from meaningful places to experimenting with gold leaf, glow-in-the-dark pigments, glass, and dimensional textures, this one goes well beyond what most of us think of when we hear the word “print.” Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and we’d love to hear your thoughts on culling, editing, critique, printing, creative growth, or anything else this episode brings up. 👉 https://www.patreon.com/ShutterNonsense Highlights: Michael Strickland shares his path from music and engineering into film photography, drum scanning, and alternative-process printing. A plain-English explanation of carbon transfer printing and why it is a pigment-based transfer process. How color carbon prints are built through multiple layers, careful color separation, and extremely precise registration. Why one print can take days to prepare and complete, even before accounting for the trial and error involved. The role that materials, humidity, temperature, and consistency play in a successful print. Michael talks about taking a step back from personal landscape work and giving himself room to reconnect creatively. Why digital files, film originals, water, rich tones, and physical depth can all work beautifully in carbon. The wild creative possibilities of the process, including earth pigments, soil, gold leaf, glow-in-the-dark layers, glass, and custom materials. Related Links: Michael Strickland’s website: https://www.michaelstricklandimages.com/ Michael’s Instagram: https://www.instagram.com/mstricklandimages/?hl=en Overview of Carbon Transfer Printing: https://www.michaelstricklandimages.com/the-carbon-transfer-service Ansel Adams book “The Print”: https://amzn.to/4weyEso (affiliate link) Edward Weston: https://www.westongallery.com/original-works-by/edward-weston Edward Burtynksy: https://www.edwardburtynsky.com/ Cody Cobb: https://www.codycobb.com/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, Michael and Jeffrey talk about the messy, subjective, and sometimes frustrating process of evaluating your own photography. They dig into what happens after a trip, from the first Lightroom pass to choosing which images deserve more attention, which ones fall short, and which ones might have potential even if they do not immediately jump off the screen. The conversation gets into culling, sharpness, composition, edge patrol, raw files that look flat, and the role gut feeling plays when deciding whether an image is worth editing. They also talk about feedback, including when it helps, when it becomes overwhelming, and how to decide whose critique is actually worth listening to. From one-on-one input to camera clubs, Discord groups, and online critique communities, Michael and Jeffrey discuss the balance between staying open to outside perspectives and trusting your own creative instincts. The episode also covers knowing when an edit is done, the danger of chasing perfection, why printing can reveal flaws that are easy to miss on a monitor, and how looking back at your larger body of work can help you see growth, stagnation, and changes in your photographic style over time. Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and we’d love to hear your thoughts on culling, editing, critique, printing, creative growth, or anything else this episode brings up. 👉 https://www.patreon.com/ShutterNonsense Highlights: How Michael and Jeffrey approach their first pass through new images Why Jeffrey often waits weeks before seriously reviewing his photos The role of sharpness, composition, light, and edge patrol when culling images Why raw files can feel discouraging before an edit brings out their potential How gut feeling and experience shape image selection When outside feedback helps, and when it can become noise The value of choosing critique from photographers whose work you respect Why good feedback does not always mean you have to follow it Knowing when an edit is done and when good enough really is good enough How printing can reveal flaws, tonal issues, and composition problems Looking at your body of work as a way to measure growth and creative evolution Related Links: Michael’s PhotoPack Pro app: https://www.photopackpro.com Photographer’s Guide to Yellowstone and the Tetons: https://amzn.to/3Sw1KVB (Amazon affiliate link) 50 Jackson Hole Photography Hotspots: https://amzn.to/4ezfxC8 (Amazon affiliate link) Michael’s free Smoky Mountains ebook: https://tinyurl.com/23fkb2cn Michael’s other free ebooks: https://www.michaelrungphotography.com/free-ebooks Ben Horne: https://www.benhorne.com Jeffrey’s presentation offerings: https://jeffreytadlock.com/talks Michael’s rating and culling process: https://www.michaelrungphotography.com/post/pro-tips-for-using-ratings-color-labels Rethink Landscape Toolkit: https://www.exploringexposure.com/products/rethink-landscape Alex Noriega: https://www.alexnoriega.com/ Eric Bennett: https://www.bennettfilm.com/ LPW Discord: https://discord.gg/xqwVXAJw Nature Photographers Network: https://www.naturephotographers.network/ Gary Randall: https://www.gary-randall.com/ Sarah Marino: https://www.smallscenes.com/ New Mexico Fine Art: https://nmfa.io/

In this episode of Shutter Nonsense, Michael and Jeffrey are joined by landscape photographer Jon Norris to talk about Joshua Tree National Park, a place that has become one of Jon’s favorite subjects and creative escapes. Jon shares what keeps pulling him back to Joshua Tree after hundreds of visits, from the strange character of the trees to the glowing rock formations, hidden corners, old mine workings, and the need to explore beyond the obvious roadside views. The conversation also gets into how learning more about a place, its geology, history, plants, wildlife, and people, can shape the way we photograph it. They also talk about the challenges of leading photography workshops in national parks, including recent CUA restrictions in Joshua Tree that led Jon to step back from offering workshops there. From there, the conversation turns toward stewardship, responsible park use, volunteering, and the role photographers can play in helping people better understand and care for public lands. And because this is Shutter Nonsense, the episode eventually wanders into social media, Substack, websites, and the ongoing question of where photographers should be sharing their work. Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and we’d love to hear your thoughts on Joshua Tree, national park stewardship, workshops, social media, or anything else this episode brings up. 👉 https://www.patreon.com/ShutterNonsense Highlights: Jon Norris shares how Joshua Tree became his photographic “happy place” Why Joshua Tree rewards exploration more than checklist photography Jeffrey looks back on rock climbing in Joshua Tree before photographing it How geology, history, and ecology can add depth to landscape photography The recent CUA and workshop restrictions affecting photography workshops in Joshua Tree Why responsible workshop leaders can act as stewards for public lands Jon’s volunteer work with Joshua Tree National Park Association and the Desert Institute Leaving Instagram, finding community on Substack, and keeping your website as home base Related Links: Jon Norris’ website: https://jonnorrisphoto.com/ Jon’s Substack: https://jonnorrisphoto.substack.com/ Jon’s interview with Grant Swinbourne: https://www.podbean.com/ep/pb-fnmvs-1a19edd Michael Frye’s Yosemite photography guide book: https://amzn.to/4dRQ87L Alabama Hills: https://www.blm.gov/programs/national-conservation-lands/california/alabama-hills-national-scenic-area Joshua Tree National Park Association: https://joshuatree.org/ Desert Institute: https://joshuatree.org/desert-institute/ Nature First Principles: https://naturefirst.org/en/principles/ National Park Foundation: https://www.nationalparks.org/ Michael’s Featured Frames series: https://www.patreon.com/collection/500898 Landscape Photographers Worldwide: https://discord.gg/kCVTCFFA NPN (Nature Photographers Network): https://www.naturephotographers.network/

One year ago, we recorded the very first episode of Shutter Nonsense in the Great Smoky Mountains. For this bonus anniversary episode, we are back in the Smokies reflecting on the first year of the podcast, answering listener questions, and talking about what we have learned from recording the show, leading workshops together, and having regular conversations about landscape photography. In this episode, Shutter Nonsense hosts Michael and Jeffrey talk about how working together has influenced their photography, why certain images become favorites because of the experience behind them, what happens when motivation to photograph fades, and how online photography communities can lead to real friendships and creative opportunities. We also talk about the behind-the-scenes work of producing a podcast, including guest scheduling, systems, show notes, video editing, social media, Patreon, and why having a backlog of episodes has helped keep the show moving. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. https://www.patreon.com/ShutterNonsense Highlights: Recording the anniversary episode back in the Great Smoky Mountain How working together has changed our approach to photography What Michael has learned from Jeffrey about streams and waterfalls What Jeffrey has learned from Michael about woodland photography Favorite photography experiences and the stories behind meaningful images Why some photos matter more because of the experience attached to them Dealing with creative ruts and not wanting to pick up the camera Why local photography is sometimes the first thing to get skipped How Michael and Jeffrey met through the landscape photography community What goes into producing, editing, scheduling, and publishing the podcast Why systems and checklists have helped keep Shutter Nonsense organized The hidden costs of running a podcast Why guest episodes have become such an enjoyable part of the show Books and films that have influenced how we think about photography Whether our wives should get their own Shutter Nonsense episode someday Related Links: Michael 4Runner Tour - https://youtu.be/coE_3kpf29c?si=VCetKMDTpvracOeu Jeffrey 4Runner Tour - https://youtu.be/kOuH2T6u6B4?si=WRNQ6gwg_xVT_KgZ Landscape Photographers Worldwide Discord - https://discord.do/landscape-photographers-worldwide/ The Secret Life of Walter Mitty - https://en.wikipedia.org/wiki/The_Secret_Life_of_Walter_Mitty_(2013_film) Desert Solitaire by Edward Abbey - https://en.wikipedia.org/wiki/Desert_Solitaire Colleen Miniuk’s book, So Said the River - https://www.sosaidtheriver.com/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, Michael and Jeffrey are joined by nature photographer Brenda Tharp for a thoughtful conversation about finding your own creative voice in landscape and nature photography. Brenda shares her perspective on the pressure to photograph popular locations, follow trends, chase social media approval, and balance personal expression with the realities of building a photography business. The conversation moves from iconic landscapes and intimate scenes to print sales, creative confidence, and the ongoing challenge of staying true to what actually excites you behind the camera. Brenda also shares stories from her own career, life on the road, photographing beyond the obvious view, and why the most meaningful work often comes from slowing down, looking deeper, and trusting what resonates with you. In this episode, we talk about: Why iconic landscape locations can still be worth photographing The pressure photographers feel from social media trends Finding your own creative voice instead of chasing likes Balancing personal passion with the business side of photography Why intimate landscapes and grand views both have value The challenge of sharing work that feels personal How photographers can avoid creative burnout Why staying true to your own vision is a lifelong process Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. 👉 https://www.patreon.com/ShutterNonsense Related Links: Brenda’s website: https://www.brendatharp.com/ Brenda’s Substack: https://brendatharp.substack.com/ Pacific Northwest Art School: https://pacificnorthwestartschool.org/product-category/400-photography/ Michael’s free Featured Frames series on Patreon: https://www.patreon.com/collection/500898 Northern California Council of Camera Clubs: https://n4c.org/ Richard Martin: https://www.richardmartinphoto.com/ Michael’s PhotoPack Pro App: https://www.photopackpro.com Michael’s Print Box Set: https://www.michaelrungphotography.com/limited-edition-print-folios Ben Horne: https://www.benhorne.com/ Ernst Hass: https://ernst-haas.com/ Sammy Davis Jr, I’ve Gotta Be Me: https://www.youtube.com/watch?v=OXYndNL4Mu8 Freeman Patterson: https://www.freemanpatterson.com/ Ansel Adams quote: https://photographylife.com/two-people-in-every-photo-ansel-adams Jay Maisel: https://www.jaymaisel.com/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, Michael and Jeffrey talk about one of the trickier decisions in landscape and nature photography - knowing when to keep working a scene and when it is time to move on. Sometimes staying longer helps you find stronger compositions, better light, and quieter details you would have missed at first glance. But sometimes you are not really working the scene anymore, you are just standing there pressing the shutter over and over because you feel like you should be doing something. We talk through the difference between patience and getting stuck, the temptation to keep photographing the same frame, how a second camera body can help you keep exploring, and the FOMO that comes with wondering if the best light is about to happen right after you leave. We also share a few stories from Death Valley, Lost Dutchman, Colorado, the Grand Canyon, and other photography outings where the decision to stay or move on shaped the images we came home with. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. https:// www.patreon.com/ShutterNonsense Highlights: The difference between working a scene and repeatedly pressing the shutter Why the “obvious shot” is often just the starting point How staying longer can reveal smaller details and better compositions The role of patience when waiting for light or changing conditions Why dynamic light makes the decision to move on so difficult How a second camera body can help you keep exploring Photographing alone versus working around other photographers The regret of leaving too early or not refining a composition enough Related Links: Jeffrey’s Trail Ready Guide: https://jeffreytadlock.com/ebook-store/p/trail-ready-ebook Lost Dutchman State Park: https://azstateparks.com/lost-dutchman PhotoPack Pro App: https://www.photopackpro.com Johnny Carson: https://www.youtube.com/user/johnnycarson Foqos App: https://www.foqos.app/ Matt Payne: https://www.mattpaynephotography.com/ Richard Bernabe: https://beyondthelens.fm/ Cameron in Ferris Bueller: https://www.youtube.com/watch?v=0XC1fGYWLCE Michael’s Wildfire Blog Post: https://www.michaelrungphotography.com/post/the-power-of-regret Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, Michael and Jeffrey dig into the idea of growth through limitation in nature photography. What happens when you intentionally narrow your options instead of keeping every possibility open? They talk about one-lens outings, local shooting, black and white challenges, slowing down in the field, and how removing certain choices can actually help you see more clearly. The conversation also gets into the difference between a constraint that helps you grow and one that just leaves you frustrated. If you have ever felt stuck, burned out, or too dependent on your usual habits in the field, this one may give you a few ideas to shake things up. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Episode Highlights How a one-lens outing can help you learn to truly see in a new focal length Why local photography can become a powerful tool for growth instead of feeling limiting The difference between a helpful challenge and a frustrating restriction Thoughts on trying black and white only for 30 days as a way to train your eye How reducing gear and decisions can help break creative ruts and burnout Why slowing down in the field can improve both composition and intention Michael’s story of avoiding sunrise and sunset photography to force a different way of seeing How to choose challenges that push your photography without ruining the experience Related Links: Moterra Vans: https://alnk.to/1N5B0k5 Thomas Heaton: https://www.youtube.com/@ThomasHeatonPhoto Gavin Hardcastle (Fototripper): https://www.youtube.com/fototripper Alan Ross: https://www.alanrossphotography.com/ Ephemeral / Permanence: https://www.michaelrungphotography.com/product-page/ephemeral-permanence Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In Episode 25 of Shutter Nonsense, Michael and Jeffrey are joined by Cole Thompson and John Barclay to talk about color versus monochrome photography, and how to know when each one makes sense. The conversation goes way beyond editing choices and gets into vision, intention, creativity, and why black and white can be either a distraction-free tool or a deeply personal way of seeing. Along the way, they talk about learning to see in black and white, how personal vision shapes the work we make, the difference between photographing for likes versus photographing for meaning, and why this choice often goes much deeper than simple aesthetics. There’s plenty of humor in this one too, which is probably exactly what you’d expect when these four get together. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights: Cole explains why black and white is not a style choice for him, but simply how he sees the world John talks about using both color and monochrome, and how he decides which serves the image best Michael and Jeffrey reflect on using black and white as a beginner “save” versus making a deliberate creative choice The group discusses whether color or black and white is actually harder to do well A conversation on vision, imitation, and finding your own voice as a photographer Why color can sometimes overpower a photograph instead of helping it The role age, experience, and older darkroom exposure may play in how photographers connect with black and white A bigger conversation about social media, likes, and making work that feels personal and meaningful Related Links: John Barclay: https://johnbarclayphotography.com/ Cole Thompson: https://colethompsonphotography.com/ The Cole & John Photography Show: https://www.youtube.com/@thecoleandjohnshow7236 Rick Rubin’s The Creative Act: https://www.penguinrandomhouse.com/books/717356/the-creative-act-by-rick-rubin/ Sarah Marino: https://www.smallscenes.com/ Matt Payne: https://www.mattpaynephotography.com/ Murray Livingston: https://www.murraylivingston.com/ Jack Curran: https://jackcurranphotography.store/ Joshua Cripps: https://www.joshuacripps.com/ Mitch Dobrowner: http://mitchdobrowner.com / Chuck Kimmerle: https://www.chuckkimmerle.com/ Michael Kenna: https://www.michaelkenna.com/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, Michael and Jeffrey talk about nature photography hit rate, keeper rate, and whether taking fewer photos actually means you are becoming a better landscape photographer. They dig into the difference between intentional landscape photography and the old spray and pray approach, how culling photos after a trip can shape your view of success, and why a low hit rate is not always a bad thing. If you have ever wondered how many photos you should come home with, how many should be keepers, or whether your process in the field is actually helping you grow, this one is for you. This episode also gets into creative experimentation, slowing down in the field, using your phone to test compositions, revisiting old files, and why comparing your photography process to someone else usually is not very helpful. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights What photography hit rate really means Whether a higher keeper rate actually matters The difference between intentional shooting and spray and pray Why experimentation can lower your hit rate for good reasons How Michael and Jeffrey think about culling after a trip Why revisiting old images can change what counts as a keeper Why your photography process has to work for you Related Links: Michael’s Lightroom Classic Start-to-Finish Walkthrough: https://www.patreon.com/posts/145865590 Linda Nickell’s Happiness Hour: https://www.youtube.com/@LindaNickellHappinessHour Gavin Hardcastle (Fototripper): https://www.youtube.com/fototripper Lost Dutchman State Park: https://azstateparks.com/lost-dutchman Michael’s Lightroom Compare Photos Demo: https://www.patreon.com/posts/125609814 Landscape Photographers Worldwide: https://discord.gg/GxE7HWc9 PhotoPack Pro: https://www.photopackpro.com Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, we dig into minimalism vs maximalism in landscape photography and talk through what those ideas actually mean in practice. We start by catching up on the usual behind-the-scenes chaos: preparing for the long drive from Ohio to Death Valley for an upcoming workshop, building landing pages for holiday promotions, launching a new iPhone photo app, and squeezing in a last-minute presentation for Angel McNeese’s 2025 landscape photography summit. From there, we get into the main topic and explore the difference between minimalist and maximalist photography, why “small scenes” are not automatically minimalist, and how the places you shoot can heavily influence the way you see and compose images. We also talk about reducing visual confusion, managing visual weight, why minimalist images are often harder to pull off than they look, and how editing can either strengthen or completely undo a simple composition. We also get into the role social media plays in what photographers choose to share, and how that can shape perceptions of style more than we might realize. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: Defining minimalist vs maximalist landscape photography Why small scenes are not automatically minimalist How your environment can influence your natural shooting style The challenge of simplifying chaotic scenes into stronger compositions Using visual weight to create balance and clarity in an image Why minimalist photography is often harder than it first appears The difference between an image feeling empty versus intentionally minimal How editing and processing can strengthen or weaken minimalist photographs Social Media Influence Related Links: PhotoPack Pro App John Barclay and Cole Thompson YouTube Channel Jennifer Renwick Sarah Marino Anna Morgan Eric Bennett Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In Episode 22 of Shutter Nonsense, Michael and Jeffrey dig into one of the least glamorous but most important parts of landscape photography: planning and scouting. From pre-trip research to in-field decision-making, this episode is all about finding the balance between being prepared and staying creatively flexible. The conversation pulls from real experiences photographing in Utah, Colorado, and the Great Smoky Mountains, and explores how planning changes depending on whether you are visiting a new location or returning to a familiar one. Along the way, they talk about using weather as a creative tool, managing expectations, avoiding preconceived shots, and why scouting does not stop once you arrive. If you have ever overplanned a trip, underplanned a trip, or shown up with great intentions only to be humbled by conditions, this one is for you. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Why planning matters, but rigid plans can hold your photography back How pre-trip research differs for new locations versus familiar places Using weather, seasons, and conditions to guide creative decisions Managing expectations and setting realistic goals for a trip The role of scouting before and during a photography outing Avoiding preconceived images and staying open to what the landscape gives you Balancing preparation with spontaneity to stay creatively engaged Related Links: Michael’s Amazon guidebook list: https://www.amazon.com/shop/michaelrungphotography/list/2EDPL69ILQ1K7?ref_=aipsflist Cole Thompson's article on photo celibacy: https://colethompsonphotography.com/2018/03/22/photographic-celibacy-thoughts-ten-years-later/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this most recent episode of Shutter Nonsense, hosts Michael and Jeffrey sit down with special guest, landscape photographer Ben Horne, for a thoughtful conversation about how the way we see our own photographs changes over time. What starts as excitement or disappointment in the moment often shifts months or years later, sometimes in ways we never expect. Ben shares stories from a recent trip to Zion, walks through his film and large-format workflow, and reflects on what it’s like to revisit older work with fresh eyes. Together, they talk openly about creative doubt, the tension between technical perfection and emotional impact, and why some images only reveal their value long after they were made. This episode is an honest discussion about growth, patience, and learning to trust the photographic process. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights How photographers’ perceptions of their own work evolve over time Revisiting older images and seeing them differently years later Creative doubt and its role in long-term growth Balancing technical perfection with emotional impact Film photography, large format workflow, and slowing down Why some images take time to reveal their value Related Links Ben Horne’s Website: https://www.benhorne.com/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

Is photography better kept as a passion, or does turning it into a business change the relationship entirely? In this episode of Shutter Nonsense, Michael and Jeffrey dig into the real-world tradeoffs between photography as a hobby and photography as a source of income. The discussion explores what monetization actually looks like for landscape photographers, why prints and education tend to be the most common paths, and how financial pressure can quietly influence creativity, subject choice, and long-term enjoyment of the craft. The episode also looks beyond gear and images to the less visible side of the business: financial readiness, safety nets, diversification of income, and the mental and emotional weight of being “always on.” Whether photography is something you love on the weekends or something you are trying to build into a career, this episode offers an honest framework for thinking through the decision with intention. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Hobby vs business: what it really means to monetize photography Common income paths for landscape photographers, including prints and education Why portraits and events often become the first step into paid photography The reality of saturation and competition in nature photography The hidden workload behind monetization and being constantly “on” Financial readiness beyond gear: savings, insurance, and unexpected expenses Why timing matters when considering full-time photography How monetization can influence creativity and subject choice Balancing personal passion with work that is more marketable When paid photography starts to pull energy away from what you love How teaching and selling work can deepen connection with an audience The importance of diversified income streams for long-term stability Relevant Links: https://www.michaelrungphotography.com/post/struggling Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In Episode 19 of Shutter Nonsense, hosts Michael and Jeffrey dig into how photography trips shape us far beyond the images we bring home. Travel can spark creativity and excitement, but it also introduces uncertainty, pressure, and the challenge of balancing expectations with reality. We talk about what happens when you photograph unfamiliar places, how travel can help reconnect you with your original motivation for picking up a camera, and why growth often comes from being uncomfortable. Along the way, we share personal travel stories, discuss planning versus spontaneity, explore solo versus group travel dynamics, and reflect on how revisiting familiar locations compares to chasing something new. This episode is less about destinations and more about intention, awareness, and the long-term impact photography trips can have on your creative life. Whether you travel often or only occasionally, this conversation is about making those trips more meaningful. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights: Why photography trips often change how we think about photography, not just what we photograph The creative benefits and mental challenges of working in unfamiliar locations How travel can help reconnect you with your original motivation for picking up a camera Planning versus spontaneity, and why both matter on photography-focused trips Solo travel compared to group trips, and how each shapes the experience differently Balancing photography goals with simply being present while traveling The role of repeat visits versus constantly chasing new destinations How deeper connections to places can influence conservation awareness and advocacy Practical advice for photographers planning their first trip centered around photography Relevant Links: Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In this episode of Shutter Nonsense, hosts Michael and Jeffrey explore the often-overlooked power of local photography and why shooting close to home can make you a stronger, more fulfilled nature photographer. Traveling for your nature photography is inspiring and iconic, but local landscapes offer something just as valuable: repetition, familiarity, and the chance to truly learn a place. We talk about how photographing nearby locations can sharpen your skills, deepen your connection to the land, and help you stay creatively energized without constantly chasing new destinations. We also dig into the realities of balancing local and travel photography, how to work through location fatigue, and why your audience often connects just as much with meaningful local work as they do with bucket-list locations. This episode is part practical advice, part creative mindset, and part honest reflection on what keeps photography enjoyable long-term. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: Why local photography is one of the best ways to improve technical skills How familiarity with a place leads to stronger compositions and better timing The mental and creative benefits of shooting close to home Scouting and building fitness without always bringing a camera Planning vs spontaneity when working locally How to avoid burnout and location fatigue Balancing local projects with travel photography Audience reactions to iconic travel shots vs meaningful local images Relevant Links: Michael’s App: https://www.photopackpro.com 2026 Workshops: https://www.michaelrungphotography.com/landscape-photography-workshops Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com

In Episode 17 of Shutter Nonsense, Michael and Jeffrey dive deep into the business side of selling photographic prints. From pricing and production choices to fulfillment and customer service, this conversation pulls back the curtain on what it really takes to make print sales work sustainably. They discuss how to think about pricing beyond just cost, the pros and cons of printing your own work versus using a professional lab, and how different sales channels like online stores and art fairs shape your strategy. The episode also explores presentation, shipping, refunds, replacements, and the ongoing debate around limited edition prints. If you are a photographer who sells prints or is thinking about adding print sales to your business, this episode is packed with real-world insights and practical considerations. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: • Pricing photographic prints realistically • Self-printing vs third-party labs • Selling online vs art fairs • Presentation and display choices • Shipping and fulfillment workflows • Customer service, refunds, and replacements • Limited edition prints and whether they make sense Related Links: Red River Paper (affiliate link) NMFA Shiny Prints (affiliate link) Matt Payne's print lab reviews Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com