The WhatsOnStage Podcast

Recapping after a very busy series of trips and outings, Sarah and Alex run through the biggest openings and stories of the week: new warnings about the threat of AI to the creative industries, a gloriously knockout performance from Josh O'Connor at the Almeida, reactions to the National's new season and the fate of Sunday in the Park with George at the Barbican... Hosted on Acast. See acast.com/privacy for more information.

Martin Guerre has a devoted following amongst musical theatre fans, originally penned by Alain Boublil and Claude-Michel Schönberg, the two creators of that little-known musical Les Misérables (whatever happened to that one?). Now, they're returning to passion project Martin Guerre to give the musical a new lease of life at the Old Vic, staged in the round alongside rising star co-lyricist Annabel Mutale Reed. They join Alex Wood to discuss the project from their rehearsal room in south London. Hosted on Acast. See acast.com/privacy for more information.

In our bonus episode, the intrepid Tom Millward is at the National Theatre’s launch to run through their bumper 18-show 2027 season, chatting with the wonderful artistic director Indhu Rubasingham. Then, Alex Wood and David Gordon (plus squeaky chair) chew through the shows in question, with the season featuring West Side Story, a new Punchdrunk immersive production, Tracy Letts and Paul Mescal in Death of a Salesman and so much more… Hosted on Acast. See acast.com/privacy for more information.

It’s our 200th episode! Where has the time gone! Sarah and Alex reflect on the rollercoaster ride of podcasting their way through more than two years of theatre. But there’s important business at hand: as part of this second part of the autumn preview, they check in on musical classics in Manchester, multiple glitzy revivals about warring couples in the West End and even a stay in northern Scotland with Alan Cumming as Henry Higgins. Hosted on Acast. See acast.com/privacy for more information.

September has rolled around, bringing with it overcast skies, school terms and, as you might expect, a whole lot of exciting theatre! Sarah and Alex team up for part one of our bumper autumn preview, spotlighting some of the brand new work ready to wow on stages across the UK. From Bristol to Pitlochry, there's everything from Ceilidh musicals to plays about John Maynard Keynes to look forwards to... featuring some of the most exciting writers of the time including Ava Pickett, Ryan Calais Cameron and James Graham. Hosted on Acast. See acast.com/privacy for more information.

We're joined on this week's bonus episode by Tim Minchin, composer and lyricist of the treasured, international sensation, the RSC's Matilda the Musical. Minchin is celebrating 15 years of the multi-award-winning musical's success across the globe, with the West End productions and tour still going strong. He also teases four new shows he's working on over the next few years. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex hit the mid 2010s as they continue their foray into the finest theatre works of the 21st century. This time around, a wave of well-received American plays make a big splash on both sides of the Atlantic – with the likes of Annie Baker, Lynn Nottage and Branden Jacobs-Jenkins all wowing with new work. There's also a strong current of work coming from Scotland, with the Edinburgh Festivals proving a hotbed for exciting voices. Plus Mike Bartlett writes a future history play with King Charles III, proving theatre's unwavering prescience. Hosted on Acast. See acast.com/privacy for more information.

Pride is moving down the Thames after its National Theatre run! We talk to director Matthew Warchus and writer Stephen Beresford about the musical's sell-out success and what the future holds as the production continues its life. Based on the true story depicted in the 2014 film Pride , the musical is set during the 1984 miners' strike. The story follows a group of lesbian and gay activists who form Lesbians and Gays Support the Miners (LGSM), an alliance which sees them support a small mining community in South Wales. Hosted on Acast. See acast.com/privacy for more information.

Alex and Sarah get back together to discuss Alex’s trip to D23, Disney’s huge fan event in California where the creator of Hamilton was celebrated and the West End production of The Greatest Showman was unveiled. Plus more highlights from the Edinburgh Festival and a cracking season of radio drama from the BBC to celebrate the 70th anniversary of the Royal Court. Hosted on Acast. See acast.com/privacy for more information.

Surprise! Alex has made the trip to Disneyland to mark the West End launch of The Greatest Showman, coming to Theatre Royal Drury Lane next spring. He sits down with Oliver Tompsett and Samantha Barks to discuss the gargantuan new musical's London run. What's more, he also caught up with the makers of Secret Cinema's Pirates of the Caribbean, running from February in Greenwich. Hosted on Acast. See acast.com/privacy for more information.

We head to the Edinburgh Fringe to talk to Charly Clive and Ellen Robertson, normally known as comedy duo Britney, who are performing in a brand new play, Jitters. The duo, reflecting on a decade at the Fringe, detail what it's like breaking new ground professionally as they tackle a long-form drama as a twosome, and how the Edinburgh Festivals have changed over the last ten years. Hosted on Acast. See acast.com/privacy for more information.

It's a bumper reviews special! In what might be the biggest theatre opening of the year, the world of Game of Thrones comes to the stage in a gigantic production at the Royal Shakespeare Theatre. But does it live up to the hype? Alex and Sarah discuss Dominic Cooke and Duncan Macmillan's efforts and what its future life might look like. Elsewhere, Sarah went to Regent's Park for a night under the (fake) moonlight at Cats, while Alex is trekking between theatres at the Edinburgh Festivals. Hosted on Acast. See acast.com/privacy for more information.

In a busy week Sarah and Alex talk about Ariana Grande’s decision to step back from her projected stage appearance opposite Jonathan Bailey in Sondhem’s Sunday in the Park with George. And as Alex sets off for Edinburgh, they discuss his top picks for the festival, the failure of Trainspotting and the death of Peter Gill. Hosted on Acast. See acast.com/privacy for more information.

Welcome to this bonus episode of the WhatsOnStage Podcast! A few weeks ago, we were lucky enough to take a very exciting trip into the rehearsal room for Game of Thrones: The Mad King, to chat to the lead cast about their time bringing Westeros to the stage. Currently in previews in Stratford-upon-Avon, the new stage play is penned by Duncan Macmillan and directed by Dominic Cooke. Joining the podcast are Tanisha Spring (who appears as Ashara Dayne), Elizabeth Ayodele (as Princess Elia Martell), Mariah Gayle (as Queen Rhaella Targaryen), Callum Woodhouse (as Lord Robert Baratheon), Michael Shaeffer (as King Aerys II Targaryen), Harmony Rose-Bremner (as Lyanna Stark), Luke Brady (as Brandon Stark), Noah Ritter (as Prince Rhaegar Targaryen) and Michael Abubakar (as Eddard Stark). Hosted on Acast. See acast.com/privacy for more information.

With Sarah on foreign shores, Alex heads to the Old Vic rehearsal room to chat to stage and screen legend Roger Allam. Known for his TV and stage appearances in the likes of The Thick of It, Les Misérables and Frank and Percy, Allam is back on stage this summer in How The Other Half Loves at the Old Vic. And, apparently, he played a certain body part in an Ayckbourn radio play. Allam also touches on the topic of amplification and seeing his greats at the Old Vic when he was young. Hosted on Acast. See acast.com/privacy for more information.

Welcome to this bonus episode of the WhatsOnStage Podcast! Phelim McDermott has staged everything – gargantuan operas, intimate shows and even forays into the world of Studio Ghibli with My Neighbour Totoro. He now brings his show Tao of Glass to @sohoplace for a West End season – mixing puppetry, the music of Phillip Glass and pseudo-memoir in an experience hoping to redefine what a West End show can be. Hosted on Acast. See acast.com/privacy for more information.

The year of the London Olympics and its successor sees theatre at a red hot peak. Sarah and Alex discuss plays from James Graham’s breakthrough to Lucy Prebble’s The Effect and Lucy Kirkwood’s era defining Chimerica. Plus The Audience with Helen Mirren and the groundbreaking The Curious Incident of the Dog in the Night-Time Hosted on Acast. See acast.com/privacy for more information.

Welcome to this midweek bonus episode of the WhatsOnStage Podcast! Today, the Donmar Warehouse's artistic director Tim Sheader (fresh from directing Jesus Christ Superstar at The London Palladium) reveals two brand new shows in his 2026 season – a new comedy involving Elvis' dead body, and a revival of Harold Pinter's No Man's Land. He also calls on more new comedies in UK theatre. After that, we head over to America where the stars of Hadestown discuss taking the award-winning musical to the big screen. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex discuss Simon Stone’s new adaptation of The Orestia, out in the same week as Christopher Nolan’s blockbuster, and another example of the huge appeal of the Greeks. They talk about the cult surrounding Jonathan Larson, the composer of Rent, and ask whether Andrew Lloyd Webber is right when he puts the early closure of Cats:The Jellicle Ball down to the impossibility of producing theatre in New York’s famous heartland. Hosted on Acast. See acast.com/privacy for more information.

Producer Francesca Moody has brought some iconic shows to the stage: Fleabag, Baby Reindeer and Weather Girl amongst their number. This year, she's taking three new productions to the Edinburgh Fringe, even working with partners like Global Creatures, the minds behind the Moulin Rouge! and Muriel's Wedding musicals. Shedinburgh will also be shooting down south to the Young Vic for a London spell, in a big step forwards for the artist-led project. Moody also reflects on her programming strategy and always developing work with a long life in mind. Hosted on Acast. See acast.com/privacy for more information.