Electric Friends: A Gary Numan Podcast

In this episode of Electric Friends, Tom goes deep on 'Voix' — the standout track from Gary Numan's 1988 album Metal Rhythm, and the song that survived the worst year of his career on its own terms. In early 1988, Gary stood on a TV show promoting someone else's single alongside Bros and Sinéad O'Connor, and called it the lowest point he'd reached. Nine months later he released a song that says, more or less, I don't need your opinions, I don't need your rumours, I don't need to listen to strangers. It was never a single. It didn't make the tour. It didn't make the live album from that tour. And 31 years later he walked back on stage to play it as his encore. We trace the whole story: Radio 1's refusal to play him, Steve Wright apologising on air for 'This Is Love', the fan protest outside Broadcasting House, the collapse of Numa Records, Radio Heart, the £200,000 tax bill and the lies that went with it, Miles Copeland's million-pound lifeline, and the man at IRS who picked 'New Anger' as the single and then denied he ever had. Then we get into the record itself — Mike Smith's programming, the PPG Wave and the Roland D-50, Peter Haycock and Keith Beauvais as the only two guitarists to appear on the same track, Tessa Niles on backing vocals, and why this is one of the catchiest things Gary has ever written. Why is the title French when he sings it in English? What do the pronouns do across the three choruses? Why does the second "one" interlude curdle every image from the first? And what happens if you read a song about illegible people and untrustworthy voices through what Gary has since written about machines, people and his Asperger's? Plus the two versions — the 1988 original and the heavier 'Voix 98' from the Dominion Day EP, sitting alongside 'Metal' and 'Down in the Park' — and the remarkable live history that takes the song from nowhere in 1988 to the first song of the encore on the 2019 tour. Featuring excerpts from Gary's autobiography (R)evolution, read by the man himself, and a big batch of your comments and emails. Mentioned in this episode: Classic Pop Magazine EXCLUSIVE OFFER FROM OUR SPONSOR: Try your first issue of Classic Pop magazine for free! Get exclusive interviews, expert features, and must-read reviews delivered straight to your door every single month. ➡️ classicpopmag.com/electricfriends Classic Pop is the UK’s only magazine dedicated to 80s music. If you love synthpop, new wave, and electronic pioneers, there’s no better place. Find out more at classicpopmag.com.

In this episode of Electric Friends, I tell the full story of Radio Heart — Gary Numan's strangest detour, and the closest he ever came to being a pop star for hire. With Numa Records struggling at the end of 1986, Gary accepted an offer to sing on 'Radio Heart', a bright pop single written by Hugh Nicholson — and to his own surprise found himself back on the Radio 1 playlist and in the Top 40. We trace the whole saga: the Nicholson brothers, the singles 'Radio Heart', 'London Times' and 'All Across The Nation', the Numan-penned B-sides 'River', 'Rumour' and 'Mistasax' (and how 'River' quietly announced his soundtrack ambitions), Elton John's blink-and-you'll-miss-it cameo on the Radio Heart album, the album's withdrawal, and the 1994 finale 'Like A Refugee (I Won't Cry)' with Italian robot marching band Dadadang — the single Radio 1 wouldn't play, even while making Gary 'God of the Day'. Joining me is Steve Thorpe, compiler and sleeve-note writer of the new deluxe 2CD collection Radio Heart featuring Gary Numan: All Across The Nation – A Collection (Edsel Records, out 7th August 2026). Steve reveals how the original Roundhouse master tapes were rediscovered, the two previously unreleased tracks found on them, how Tessa Niles's uncredited backing vocals were finally confirmed — and tells one of the all-time great "meeting Gary" stories, involving an unanswered front door and a voice shouting "Spooky!" Plus, in Gary's own words: excerpts from his autobiography (R)evolution on the money that felt like "a lifeline to a drowning man", the arguments with his dad, and why he refused to sell his soul completely. And at the end of the show, your verdicts on the Radio Heart era — the defenders, the executioners, and "Gary's Tin Machine". All Across The Nation – A Collection is available to pre-order now from Amazon, Rough Trade, Proper Music, Burning Shed and all the usual outlets. Mentioned in this episode: Classic Pop Magazine EXCLUSIVE OFFER FROM OUR SPONSOR: Try your first issue of Classic Pop magazine for free! Get exclusive interviews, expert features, and must-read reviews delivered straight to your door every single month. ➡️ classicpopmag.com/electricfriends Classic Pop is the UK’s only magazine dedicated to 80s music. If you love synthpop, new wave, and electronic pioneers, there’s no better place. Find out more at classicpopmag.com.

In this episode of Electric Friends, I take a deep dive into 'Bleed', one of the standout tracks from Gary Numan's 1994 album Sacrifice — the record many fans, and Gary himself, regard as the album that saved his career. We explore what 'Bleed' might really be about: anxiety, intrusive thoughts and the terror of lying awake at night with your own mind turning against you. We look at how the song fits into the dark, spiritual world of Sacrifice, the huge influence of Depeche Mode and Alan Wilder, the heavier Sulphur rework on 2003's Hybrid, the song's live and acoustic history, and why 'Bleed' marks the beginning of the modern Gary Numan sound that runs through Exile, Pure, Splinter, Savage and Intruder.

In this episode of Electric Friends: A Gary Numan Podcast , I’m joined by a very special guest — Saffron , frontwoman of Republica , lifelong Gary Numan fan, collaborator, and close friend of the Numan family. We talk through Saffron’s incredible journey in music — from her early influences and theatre work, to becoming a songwriter and eventually forming Republica in the mid-90s. She shares the story behind their breakthrough hits like ‘Ready to Go’ and ‘Drop Dead Gorgeous’, how the band carved out their electronic rock sound, and what it was really like navigating success during that era. Of course, a huge part of our conversation is her connection with Gary Numan . Saffron explains how discovering Replicas at a young age completely changed her life, why Gary’s music resonated so deeply, and how that influence shaped her own artistic identity. We also dive into the iconic Random tribute album, where Saffron and Republica covered ‘Are Friends Electric?’ — and how that led to her first meeting with Gary and Gemma. What followed was not just a collaboration, but a lasting friendship that continues to this day. Beyond music, Saffron opens up about her work in mental health, her experiences during the pandemic as a frontline worker, and how those experiences have shaped her perspective. It’s a warm, honest and wide-ranging conversation about creativity, fandom, resilience and the lasting impact of Gary Numan’s music.

In this episode of Electric Friends: A Gary Numan Podcast , I explore one of the most fascinating songs connected to Gary’s early 80s world — ‘Love Needs No Disguise’. Originally released in 1981 by Dramatis — the band formed by Chris Payne, Rrussell Bell, Denis Haines and Cedric Sharpley after Gary’s temporary retirement from touring — the track featured Gary on lead vocals and became their biggest chart hit, reaching number 33 in the UK. I talk about how I rediscovered the song during a recent trip to Brussels (and a very successful record shop haul), why it meant so much to me as an 8-year-old discovering Gary through the Best Of cassette, and why this track still holds a special place in my top 10. Musically, I break down what makes the song so distinctive — the haunting synth intro, Ced’s drums, Russell’s guitar, Chris Payne’s viola, and that brilliant early-80s synth-pop atmosphere. But lyrically, it’s even more interesting. As Rrussell Bell confirmed to me in a previous interview, the song wasn’t really a romantic love song at all — it was written about their time touring with Gary. I look at how the lyrics take on new meaning in that context: the touring references, the emotional bond between bandmates, and the reassurance that “love needs no disguise” even after Gary stepped away. Plus, I revisit the video shoot at Shepperton Studios, read out your brilliant fan memories (so many of you were in that video!), and reflect on why this song remains quietly emotional and underrated.

In this minisode of Electric Friends: A Gary Numan Podcast , I’m back with a Gary Numan News update for February 2026 , rounding up the biggest recent stories from Numan’s world.

I talk to Let Loose drummer Lee Murray about his pop career, his lifelong love of Gary Numan, and how Numan shaped his life and music. In this episode of Electric Friends: A Gary Numan Podcast , I do something a little different. Instead of speaking to band members or collaborators from Gary’s world, I sit down with one of his most passionate famous fans — Lee Murray from Let Loose . Lee and I talk about his journey through music, from growing up glued to Top of the Pops to finding his own success in the 1990s as part of Let Loose, the band behind the huge hit ‘Crazy for You’. He opens up about the long road to success, being mislabelled as a boyband, record deals that fell apart, and the pressure that came with sudden fame — before finding a healthier, more joyful relationship with music in later years. At the heart of the conversation is Gary Numan. Lee shares how seeing Gary on Top of the Pops changed everything for him — how Gary “looked how I felt”, and why that sense of otherness made such a powerful connection. We talk about first gigs, the Warriors tour, idol-to-friend moments, and the surreal experience of eventually supporting Gary on tour. Lee also reflects honestly on mental health, regret, stepping away at the wrong time, and how Gary’s openness and kindness left a lasting impression on him. It’s a warm, thoughtful and often emotional conversation about fandom, creativity, resilience and why Gary inspires such deep loyalty across generations. If you love Gary Numan, 90s pop history, or hearing artists speak candidly about fame and its realities, this episode is for you.

If you'd like to buy Electric Friends merch including stickers, T-shirts, mugs and more, please head to https://electric-friends.printify.me/ In this episode I dive into one of the most unexpected Gary Numan surprises of recent years — the release of Like a B-Film , a previously unheard Telekon-era demo that suddenly appeared via the 45th anniversary re-issue. I explain how the track appeared almost out of nowhere. Very quickly, it became clear this was genuine: raw 1980 synth textures, unfinished edges, and Gary’s unmistakable vocal — a time capsule suddenly dropped into the present. The episode looks closely at the lyric sheet shared by fans online , lines that shrink humanity into “little pictures,” reference “B-films” and deadened media culture, and land on stark declarations like we are broken, we are shattered, we are glass . I discuss how the imagery hints at emotional numbness, voyeurism and disconnection — themes that would later define tracks like I Dream of Wires and Remind Me to Smile . We also hear Gary himself address the track at Hammersmith — admitting he doesn’t remember writing it, joking that it probably didn’t make the album “because it’s happy,” and marvelling at Beggars Banquet uncovering a demo he’d forgotten. The episode includes reactions from fans comparing the sound to John Foxx , celebrating the synth tones, and debating whether it ever would have sat comfortably on Telekon — or whether saving it has made the surprise even sweeter. I also preview other demos on the anniversary release, and reflect on why unheard material still excites Numan fans after four decades.

In this special episode of Electric Friends: A Gary Numan Podcast , I pay tribute to John Webb, Gary Numan's brother, bandmate and lifelong friend, who passed away in 2025 during the Telekon 45th anniversary tour. The episode reflects on John’s incredible life — from joining Tubeway Army as a teenager to performing on stage across the world, before embarking on a second remarkable career as a professional pilot and aerobatics display leader. Through archive clips and personal memories, I celebrate John’s warmth, humour and creativity. We hear about Gary’s emotional statement following his Birmingham show, where he broke down during 'Please Push No More' after receiving the tragic news. Gary later described his brother as “someone I loved more than the world,” a sentiment shared by so many who knew him. I revisit highlights from my interview with John, including stories of playing with Tubeway Army at the Roxy Club at just 12 years old, touring with Gary through the 80s, and the time Queen’s Roger Taylor borrowed his drum kit during the recording of Dance . The episode also celebrates John’s later musical work as Donovan Silver, his album Alpha , and his return to live performance after nearly three decades.

Announcement! If you'd like to buy Electric Friends merch including stickers, T-shirts, mugs and more, please head to https://electric-friends.printify.me/ The story behind Gary Numan’s first ever single ‘That’s Too Bad’ — from punk beginnings to sci-fi storytelling and the birth of Tubeway Army. In this episode of Electric Friends: A Gary Numan Podcast , I take us right back to where it all began — 1978’s That’s Too Bad , the very first Tubeway Army single that launched the career of one of Britain’s most original and influential artists. Before the synths, the fame and Are ‘Friends’ Electric? , Gary was a teenager playing in bands like Mean Street and The Lasers . It was during those early sessions that Tubeway Army was born — with Paul Gardiner on bass and Gary’s uncle Jess Lidyard on drums — and punk attitude collided with futuristic imagination. I explore how That’s Too Bad captured that moment perfectly: a raw, nervy, paranoid slice of late-70s punk with flashes of the science-fiction world Numan would soon make his own. With lyrics about surveillance, alienation and fractured identity, the track already hinted at the themes that would define his later classics like Down in the Park and Metal . Featuring Gary’s own reflections on signing with Beggars Banquet, working at WHSmith up to release day, and even his brief spell under the name Valerian , this episode digs into the single’s evolution — from its rough demo on The Plan to the sharper 1978 version. There’s also listener memories from lifelong fans, from discovering the blue vinyl Tubeway Army album to hearing That’s Too Bad live decades later. Plus, I share the latest Numan news — including the surprise discovery of a previously unheard Telekon track, Like a B Film .

Catch up on the latest from the world of Gary Numan, including new TV shows, podcasts, radio specials, tour updates and more.

This episode looks back at Gary Numan's cover of 'On Broadway', made famous by The Drifters in 1963. Gary's live version in 1979 was an inspired synthpop reworking, featuring Ultravox star Billy Currie on keyboards.

In the first of a new series of bonus minisodes - here's your latest Gary Numan news update. Please get in touch at numanpodcast@gmail.com

Taking a look back at Gary Numan's triumphant Glastonbury Festival debut on Saturday.

For the 50th episode of Electric Friends, I have another special interview - with Gary Numan's eldest daughter, Raven Numan! Raven has released six excellent tracks in recent months, including 'My Reflection' and 'Just a Number', having worked with Gary's producer Ade Fenton. In this interview, Raven opens up about having a pop icon as her dad, following his footsteps into music, how music has helped with her mental health, her love of Nine Inch Nails, plans for her debut album and much more.

For this special episode of Electric Friends, I speak with Gary Numan's longtime friend, collaborator and producer - Ade Fenton. Ade has worked with Gary on all his albums since 2006's Jagged, and is currently working on Gary's latest album - with the reworks of Sacrifice, Exile and Pure coming soon. In the podcast, Ade discusses: How Numan's music first inspired him to get into the industry How he first met Gary and the first tracks he worked on How he deals with criticisms from some Numan fans What fans can expect for upcoming new releases from Gary Working with Gary's daughter Raven on her first album His work on film soundtracks and whether Gary would ever do the same Much more!

Taking a look at Gary Numan's third single from I, Assassin - the moody 'White Boys and Heroes' featuring Pino Palladino's fretless bass and Wham-style music video.

Looking back at the fantastic bonus track from Tubeway Army's Replicas album: eight minutes of pure synthpop brilliance, later covered by Matt Sharp and Damon Albarn.

For this special episode, I asked you to rank your favourite Gary Numan albums from worst to best. Hundreds of you voted, and here I bring you the full countdown of 24 albums, including Gary's words about each LP. What will be number one? I won't give it away here, but do you agree?

For this episode, I look back at Gary Numan's Dance album opener - the haunting 9+ minute track, Slowcar to China. From its real-life inspirations and other theories to the album's sound as a whole, it's time to head back to 1981 and for one Gary's best ever LPs.