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Published by Two Worlds Entertainment
"Half Hour with Jeff & Richie" is the ultimate podcast for Broadway fans. With Jeff Malone & Richie Grasso as your lively hosts, prepare for a thrilling and intellectually engaging exploration of Broadway. This show is all about exclusive interviews with talent and creatives from the industry, captivating analysis of the plays and musicals we see, and a celebration of the artistry, dreams, and legends that define Broadway. Whether you're a seasoned theatre enthusiast, an aspiring artist, or simply someone who appreciates the power of storytelling, "Half Hour with Jeff & Richie" is your go-to companion. Join us on this exhilarating journey as we uncover the mesmerizing world of Broadway and delve into its rich themes that lie beyond the curtain.
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In this episode of "Half Hour," we take a deeper dive into Paranormal Activity, an original story by Levi Holloway now playing at Broadway's August Wilson Theatre. Directed by Felix Barrett and starring Cher Álvarez and Travis A. Knight as Lou and James, the play uses the film franchise as a launchpad rather than a retelling, building its scares through illusion work, sound design, and staging rather than found footage. We cover the plot, the twist ending, the performances, and the show's chances heading into Tony season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
What does a Broadway producer actually do? On this Spotlight Series episode of "Half Hour," we sit down with producer Sean Nyberg to find out, covering his shift from law into financing shows, the three-part test he uses before committing to a project, and why even a promising show can't guarantee a hit. We also get into the weekly costs of running a show on Broadway versus the West End, and where Sean thinks family entertainment and star-led theatre are heading next. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. If you enjoy these discussions, follow “Half Hour” and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of "Half Hour," we go deep on Paddington the Musical at the Savoy Theatre, tracing the story from Michael Bond's 1958 book through the film series to its current West End staging. We discuss the book, score, and the production's central design choice — one performer on stage, one voicing the bear — and what that adds to a story about belonging, family, and finding home. We spend time on the cast, including Victoria Hamilton-Barritt, Bonnie Langford, Amy Ellen Richardson, Tom Edden, and Brenda Edwards, and on where the show could go next as it heads toward Broadway. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Spotlight Series episode of “Half Hour,” we expand the conversation with Tony Award-winning director and choreographer Jerry Mitchell about his work on The Devil Wears Prada and the process of reimagining a familiar story for the West End stage. Mitchell discusses joining the project, returning to Elton John’s early demos, and finding the emotional center of the musical through Andy Sachs’ journey. He also breaks down the work behind major stage moments, from transitions and act endings to the fashion-driven visual language of Paris and the Met Ball. The conversation includes his approach to casting Vanessa Williams as Miranda Priestly and the collaboration behind a production that brings together music, choreography, costumes, design, and storytelling. We also speak with Mitchell about the future of The Devil Wears Prada, the development of Coyote Ugly, the national tour of BOOP! The Musical, Broadway Cares/Equity Fights AIDS and Broadway Bares, and his hopes for a future Legally Blonde revival. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this conversation in the Spotify comments: What part of Jerry Mitchell’s creative process stood out to you, and who would you like “Half Hour” to feature next? If you enjoy these discussions, follow “Half Hour” and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of “Half Hour,” we take a deeper dive into Hudson Valley Shakespeare’s Les Misérables, now playing at the Samuel H. Scripps Theater Center in Garrison, New York. We break down the plot, the June Rebellion of 1832, and how director Jenn Thompson’s outdoor staging uses the Hudson Valley landscape, a smaller ensemble, double casting, and a central French flag to reshape the story’s scale and emotional impact. We discuss Josh Young’s Jean Valjean, Haley Dortch’s Fantine and Enjolras, Denis Lambert’s Javert, Ana Paola Garcia’s Cosette, Haley Rose Ciaramella’s Éponine, David Beach and Nance Williamson as the Thénardiers, and the creative choices that bring the musical’s ideas of mercy, faith, justice, sacrifice, and hope into focus. We also talk about the new Samuel H. Scripps Theater Center, what a permanent home means for Hudson Valley Shakespeare, and why Les Misérables continues to connect with audiences. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of “Half Hour,” we take a deeper dive into The Hunger Games: On Stage, now playing at Troubadour Canary Wharf Theatre in London. We break down the plot, the concept behind the production’s arena-style staging, and how this first theatrical adaptation of Suzanne Collins’ story brings the audience into the world of Panem. We discuss Matthew Dunster’s direction, Conor McPherson’s adaptation, the in-the-round design, choreography, illusions, aerial work, and the production choices that shape the experience. We also talk about Mia Carragher as Katniss Everdeen, Tamsin Carroll as Effie Trinket, Stavros Demetraki as Caesar Flickerman, and why the show gives characters including Haymitch, Effie, and Caesar new space onstage. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of “Half Hour,” we take a deeper dive into The Devil Wears Prada, now playing at the Dominion Theatre in London’s West End. We break down the musical’s plot and concept, how the stage adaptation reshapes the story of Andy Sachs and Miranda Priestly, and what changed from its Chicago tryout to this West End production. We discuss Elton John’s score, the lyrics by Shaina Taub and Mark Sonnenblick, Jerry Mitchell’s direction and choreography, and the production design by Tim Hatley and Gregg Barnes, along with performances including Vanessa Williams as Miranda, Stevie Doc as Andy, Taila Halford as Emily, and Matt Henry as Nigel. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we discuss Heated Rivalry: The Unauthorized Musical Parody, now playing Off-Broadway at The Club in New York City. Inspired by the hockey romance series and TV adaptation, the show uses a fast-moving parody format, a small cast, and a sharp comic structure to tell a story that works best for audiences familiar with the source material. We talk about the plot, the “Susans,” the performances, the venue, and the audience participation moment that pulled Jeff onstage. We also share our thoughts on the production design, the pacing, and where the show might go next as it continues to build buzz. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of “Half Hour”, we take a closer look at the 2026 Encores! production of La Cage aux Folles, now playing at New York City Center. Starring Billy Porter as Albin and Wayne Brady as Georges, this revival offers a contemporary take on a landmark musical. We break down the show’s origins and cultural impact, then dive into the current production’s direction, design, and overall concept. From Robert O’Hara’s staging choices to the balance of comedy and social commentary, we discuss what works, what feels unresolved, and how the piece lands with a modern audience. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we go category by category through the 2026 Tony Awards, sharing our predictions for who will take home the top honors in the musical races. From Best Musical to acting, direction, and design, we break down each category and discuss the nominees, including Schmigadoon!, The Lost Boys, Titanique, Two Strangers Carry a Cake Across New York, and Cats: The Jellicle Ball. Along the way, we highlight performances from Shoshana Bean, Joshua Henry, Hannah Cruz, Layton Williams, and André De Shields as key contenders. This episode is a straightforward look at where the awards may land and which shows and artists are leading the conversation this season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on your predictions in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we go through the 2026 Tony Awards category by category, sharing our predictions for who will win in each category. We cover Best Play, Best Revival, acting categories, and design, discussing nominees including Liberation, Giant, and The Balusters, along with other productions shaping this season. The episode highlights key performances and creative teams while looking at how each category may play out. This episode is a straightforward look at where the awards may land and which shows and artists are leading the conversation this season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on your predictions in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we discuss the 2026 Broadway revival of The Rocky Horror Show, now playing at Studio 54. Directed and choreographed by Sam Pinkleton and starring Luke Evans as Dr. Frank-N-Furter, the production revisits the cult classic with a renewed focus on theatricality, audience interaction, and design. We take a deeper dive into how this revival balances its original counterculture roots with a contemporary Broadway framework. From the staging choices that make full use of Studio 54 to the evolving role of audience call-backs, we break down what’s working, what feels different, and how the experience compares to both the original stage production and the film adaptation. We also discuss standout performances, including Evans’ interpretation of Frank-N-Furter, and how the ensemble supports the show’s tone. Along the way, we look at the show’s cultural legacy, its continued relevance, and how this revival positions itself within today’s Broadway landscape. If you’ve seen The Rocky Horror Show before or are considering this production, this episode offers a closer look at what to expect and why this revival is generating conversation. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we discuss the Broadway production of The Balusters, now playing at the Samuel J. Friedman Theatre. Written by David Lindsay-Abaire and directed by Kenny Leon, the play centers on a neighborhood association navigating questions of safety, preservation, and community identity. We take a deeper dive into the play’s structure, themes, and staging, breaking down how a seemingly local conflict reflects broader cultural tensions. We also discuss how the ensemble shapes the shifting dynamics within the story. From the symbolism of the balusters themselves to the play’s commentary on change and control, we unpack what’s working, what stands out, and how the production lands with a Broadway audience. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we take a closer look at Roundabout Theatre Company’s 2026 Broadway revival of Fallen Angels at the Todd Haimes Theatre. Written by Noël Coward and directed by Scott Ellis, the production stars Rose Byrne and Kelli O’Hara as two women revisiting a shared past over the course of one increasingly chaotic afternoon. We break down the play’s structure, its farcical pacing, and how Coward’s dialogue continues to land with a contemporary audience. We also discuss the performances from Byrne and O’Hara, the role of physical comedy and timing, and how the production balances period style with modern sensibilities. The conversation also touches on David Rockwell’s scenic design and how the staging supports the rhythm of the piece. We also get into the show’s Tony Awards presence, its place in the current Broadway season, and why revivals of classic comedies like Fallen Angels continue to resonate. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we discuss the Broadway production of Giant, now playing at the Music Box Theatre. Written by Mark Rosenblatt and directed by Nicholas Hytner, the play centers on a pivotal chapter in the life of Roald Dahl, examining the tension between artistic legacy and personal controversy. We take a deeper dive into the play’s structure and focus, breaking down how its contained timeline shapes the narrative and leaves space for audience interpretation. We also discuss John Lithgow’s performance as Dahl, and how the production balances charm, discomfort, and confrontation in its portrayal. The conversation explores the design, direction, and overall staging choices, as well as the production’s reception and Tony Awards recognition, including nominations for Best Play and Best Direction. We consider how Giant positions itself within the current Broadway landscape and what it asks of its audience. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour with Jeff & Richie, we discuss the Broadway production of Beaches, now playing at the Majestic Theatre. Based on the iconic film and novel, the musical adaptation stars Jessica Vosk and Kelly Barrett as lifelong friends CC Bloom and Hillary Whitney, navigating decades of friendship through joy and heartbreak. We examine Vosk's performance and her Tony potential, analyze the show's jazz-influenced score, and examine how its musical style interacts with different time periods. The discussion explores the production's minimalist staging approach, use of projections, and rapid scene transitions that prioritize story over spectacle. We break down the book's fidelity to the original film, casting choices for younger characters, and how the show positions itself within Broadway's trend of adapting established source material. The episode also considers the production's touring potential and whether the adaptation elevates the source material for theatrical longevity. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour with Jeff & Richie, we discuss the Broadway production of The Lost Boys, now playing at the Palace Theatre. Directed by two-time Tony Award winner Michael Arden, the musical adaptation of the 1987 Warner Bros. film stars three-time Tony Award nominee Shoshana Bean as Lucy, alongside a cast navigating themes of family, belonging, and teenage vampires in Santa Carla. We examine the production's scenic design, lighting effects, and flying sequences while analyzing the tonal shifts between acts and the musical's approach to 80s nostalgia. The episode explores vocal performances, sound design choices, and how the show positions itself within the current Broadway landscape, including its 12 Tony Award nominations. We break down what works in this spectacle-driven production and offer a perspective on its theatrical storytelling and potential longevity. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we analyze the Broadway production of Schmigadoon! now playing at the Nederlander Theatre. We break down the show’s transition from Apple TV+ series to stage, its blend of parody and homage to Golden Age musicals, and the work of Christopher Gattelli’s direction and choreography. We discuss standout performances from Alex Brightman, Sara Chase, Ana Gasteyer, McKenzie Kurtz, Isabelle McCalla, Max Clayton, and the ensemble, as well as the production’s set and costume design, orchestration, and emotional core. We also look at Schmigadoon!’s Tony potential (Congrats on the 12 Tony‑award nominations), its place in the current Broadway season, and its potential for tours and school adaptations. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we dig into the 2026 Broadway revival of August Wilson’s Joe Turner’s Come and Gone, now playing at the Barrymore Theatre. We unpack how the play’s boardinghouse setting, character-driven structure, and themes of home, history, and spiritual connection come through in this production. We also look at how the staging uses levels, windows, and movement to frame the characters’ journeys. We highlight performances from Taraji P. Henson as Bertha Holly, Cedric “The Entertainer” as Seth Holly, Joshua Boone as Herald Loomis, and Ruben Santiago-Hudson as Bynum Walker, noting moments that stand out and where the production leaves room for more. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we take a deeper dive into the Broadway production of Dog Day Afternoon at the August Wilson Theatre. We walk through the true crime story behind the show, how the Oscar-winning film was adapted for the stage, and what shifts when a sweaty Brooklyn bank robbery plays out live in front of an audience. We break down the overall production, including Stephen Adly Guirgis’ script, Rupert Goold’s direction, and the balance between gritty tension and comedy. The conversation digs into performances from Jon Bernthal and Ebon Moss-Bachrach, how this staging captures 1970s New York, and where the play lands in today’s Broadway landscape. We also touch on critical reactions, Dog Day Afternoon’s awards potential, and what they think works best in this limited engagement. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ranking source
Apple Podcasts rankings via the Mato Topic Intelligence Platform.
Observed September 20, 2026.
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