The Wrong Cat Died

“CATS really showed me how important it was to be a team player and how to take care of each other on stage and off stage as much as you can.” This episode features Antoine L. Smith who was a swing on the US. National Tour 5 of CATS. Hear Antoine discuss his lifelong connection to the show after watching the VHS daily in college and becoming inspired by Ken Page’s Old Deuteronomy. Antoine describes auditioning via open call, joining a brand-new tour cast, and the intense self-driven work required of swings, including felinity coaching and learning multiple tracks like Old Deuteronomy, Bustopher Jones, and Gus. He shares his character backstory for Old Deuteronomy, his belief that Deuteronomy always knows the Jellicle choice, and a memorable mid-show emergency where he had minutes to get into intricate makeup and costume. 00:50 First CATS Obsession 08:29 Old Deuteronomy Backstory 09:48 Jellicle Choice Theory 12:39 Importance of Swings 16:52 Tour Chaos 24:49 Discovering The Jellicle Ball 36:27 Rapid Fire Check out Antoine on Instagram: @antoinelsmith32 Check out MJ The Musical on Social Media: @mjthemusical Check out MJ The Musical's website: newyork.mjthemusical.com Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“We have this system that every cat in the show is on a different life out of the nine lives which is a really interesting way of thinking about it.” This episode features Jaydon Vijn who is currently performing as Rum Tum Tugger in Drew McOnie’s reimagined production of CATS at Regent’s Park Open Air Theatre in London. Jaydon shares his CATS fandom from dance college, why Tugger was always his dream role, and what the audition process revealed about the production’s choreography. He discusses how the revival feels like a fresh show while honoring the original, including storytelling focus, character “nine lives” backstories, and relationships onstage. Jaydon details Tugger’s dynamics with Bombalurina, Munkustrap, Old Deuteronomy, and a mentorship-style bond with Mistoffelees, plus his darker, more adult take on Tugger. An episode not to miss. 02:11 Rum Tum Tugger Dream Role 04:18 Reimagining a Classic 10:10 Building a Darker Tugger 11:44 Outdoor Theater Experiences 15:33 Costumes Makeup and New Look 17:44 Tugger’s Relationship Web 25:50 Favorite Show Moments 38:31 Rapid Fire Check out Jaydon on Instagram: @jay.vijn Check out CATS @ Regent's Park Open Air Theatre: openairtheatre.com/production/cats Check out the CATS UK Tour: uktour.catsthemusical.com Produced by: ⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“The Haus of Dots has the best table at the Ball.” This episode features Xavier Reyes who played Jennyanydots in the Broadway production of Cats: The Jellicle Ball. Hear Xavier discuss his CATS history, from watching the DVD in Puerto Rico to auditioning for Skimbleshanks and ultimately booking Jennyanydots as a drag mother role. Xavier explains how he blended the original “Gumbie Cat” with extensive ballroom research, vogue classes, and collaboration with castmates, directors, and dramaturgy to marry ballroom and theater while honoring Cats lore. He describes shaping the Haus of Dots as a trophy-winning “empire,” building relationships and developing tension with Macavity via shared house backstory. Xavier reflects on audience reception at the PAC, the transfer to Broadway, improvisational audience interaction, celebrity judges, performing for Andrew Lloyd Webber, and favorite memories from the run. 03:11 Auditioning for Skimbleshanks & Jennyanydots 05:08 Building Jennyanydots 06:49 Researching Ballroom Motherhood 17:29 Haus of Dots 29:08 Broadway Debut 31:19 Audience Improv 40:42 Rapid Fire Check out Xavier on Instagram: @xavireyesactor Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“We’re Bombalonzo.” This episode features the cast and creative team (Faith Stansfield and Matty Franklin from the cast and Kirsten Edwards and Marc Taylor from the creative team) from the Boom Theatre in Cornwall, who are performing a Young Actors Edition of CATS inspired by a “Cornish twist.” They discuss their first introductions to Cats, why Boom chose the dance-led show, and how the production reimagines the junkyard as a derelict Cornish harbor with immersive elements like fog and sea scent. Marc outlines three character “tribes” (village cats, mystical moor/legend cats, and pirate/wrecker outsiders), plus costume ideas including Cornish tartan and a tartan-clad Beetle Tattoo. Maddie and Faith explain character-development exercises, relationship choices (including their “Bombalonzo” dynamic), and how they’re adjusting adult themes for a youth cast. 01:21 First Encounters With CATS 06:37 Cornwall Reimagining 11:00 Three Tribes Concept 13:27 Building Characters in Rehearsal 31:02 Designing a Cornish Cats 36:46 Rapid Fire Check out Boom Theatre Instagram: @boom_theatre Check out the Boom Theatre's website: boomtheatre.uk Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“That organ sound was iconic. I felt like I was transported to a certain time in history.” This episode features Linedy Genao who is currently playing on Broadway as Myrtle Wilson in The Great Gatsby and hosting her new podcast Entre Acts, which is part of the Broadway Podcast Network. Linedy recalls seeing the 2016 revival of CATS while performing in On Your Feet, loving the dancing and music but leaving confused, then later seeing the downtown Jellicle Ball and finally understanding the show. She shares what it was like leading Bad Cinderella, collaborating with Andrew Lloyd Webber, and everything involved with that show including the viral spray-paint moment. Now playing Myrtle Wilson in The Great Gatsby, she explains her approach to making Myrtle sympathetic and critiques the double standard in how characters are judged. Linedy also discusses her Broadway Podcast Network show Entre Acts, focusing on the “in-between” periods for artists. 00:59 First Time Seeing CATS 03:11 CATS Revival Vibes 04:06 Broadway Origins Stories 07:46 Working With Andrew Lloyd Webber 09:58 Bad Cinderella 21:53 Playing Myrtle In Gatsby 25:10 Entre Acts Podcast 28:34 Rapid Fire Check out Linedy on Social Media: @linedygenao Check out Entre Acts on Social Media: @entreacts Check out The Great Gatsby on Social Media: @bwaygatsby Check out The Great Gatsby's website: broadwaygatsby.com Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied *Episode powered by WelcomeToTimesSquare.com, the billboard where you can be the star for the day Learn more about your ad choices. Visit megaphone.fm/adchoices

“If you show it in your face, people don’t look at your feet.” This episode features Denise Jastraunig who was a swing in CATS on the German Tent Tour and then in the Vienna revival. Denise shares her CATS journey, from first seeing the DVD in school while training as a competitive tennis player to pivoting into musical theater at the age of 16. Denise recounts being unexpectedly invited to audition for the German Tent Tour, moving from a dancer call to the “movers call,” landing her first major job as a swing, and learning tracks with a detailed swing bible. She compares the tent tour’s deeper character workshops with a more time-pressed 2019 Vienna revival, notes production differences like an expanded tap number, and describes going on as Grizabella. She shares onstage mishaps, makeup challenges, and being featured in an Andrew Lloyd Webber Instagram post. 02:07 From Tennis To Theater 08:22 Audition Movers Call 20:45 Swing Life Prep 26:09 First Night Grizabella 31:46 Wild Onstage Stories 34:02 Webber Instagram Shoutout 38:16 Rapid Fire Check out Denise on Instagram: @denise__jastraunig Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

We were honored to be invited to the reunion brunch for the Jellicle Tribe, a group of members from the US National Tour 4 of Cats. They got together before opening night of CATS: The Jellicle Ball to catch up and discuss all things CATS. Hear us discuss the excitement for the opening night, changes from their tour, and who is their Jellicle choice. Featuring (in order): Natasha Davison, Holly Cruz, Nancy Melius, Eddie Buffum & Elizabeth Mills, Helen, Lauren, & Steve Watkins, Linda Leonard, General McArthur Hambrick, Daniel Wright, Joyce Chittick, Rosemary Loar, Jacob Brent About the Production: Cats: “The Jellicle Ball” is a radical reimagining of Andrew Lloyd Webber’s iconic musical based on T. S. Eliot’s Old Possum’s Book of Practical Cats, inspired by the Ballroom culture that roared out of New York City over 50 years ago and still rages around the world. Staged as a spectacularly immersive competition by Zhailon Levingston and Artistic Director Bill Rauch. Unfortunately, this production closed way too soon. Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“In ballroom, femininity in particular is embraced. It really shifted my perspective on things.” This episode features Bebe Nicole Simpson who is performing as Demeter in Cats: The Jellicle Ball. Bebe discusses the show’s early closing, her late introduction to CATS, and how she researched Demeter’s traditionally darker Macavity backstory before adapting it to this production’s “House mother” Macavity. Bebe compares lore variations across CATS productions, including shifting relationships and new theories in The Jellicle Ball, and talks about the move from The PAC to the Broadhurst, where staging and audience sightlines changed performance choices. Bebe shares a unique perspective on how ballroom helped her embrace femininity and body image. An episode you won’t want to miss. 02:46 Demeter and Macavity Lore 13:09 PAC to Broadway Transition 19:33 Learning Ballroom Culture 26:09 Walking Categories and Body 27:43 Costume Confidence 30:37 Ballroom Body Positivity 31:26 Onstage Lore And Relationships 37:47 Improvised Comedy Bits 43:57 Rapid Fire Check out Bebe on Instagram: @bebeeee_nicole Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“All of them took concepts here and turned it into just this massive expression of queer joy in the time we are living in right now. It doesn’t deserve to be seen. It demands to be seen.” This episode features Jordan Stefanski, a devoted Cats: The Jellicle Ball fan who has seen the show over 50 times. Jordan comes on the show to discuss how his CATS journey began with the 2019 movie and later shifted after hearing about the ballroom concept through a friend involved in early workshops. Jordan explains why he repeats shows like A Strange Loop and Oh, Mary and his philosophy of bringing friends by buying tickets. Jordan then dives into how The Jellicle Ball’s queer joy, audience immersion, and evolving details reward repeat visits. He shares favorite places to sit (especially boxes), highlights DJ Griddlebone and Junior LaBeija’s presence, and praises swings and dance captains. An episode of true fandom and patron of the arts. 02:06 Surviving the 2019 Movie 04:34 Discovering Cats: The Jellicle Ball 08:50 Why He Keeps Returning 19:07 Hidden Details and Character Choices 21:10 Best Seats 28:35 Swings and Standout Moments 38:40 Rapid Fire Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠catsthejellicleball.com⁠⁠⁠ Produced by: ⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠ & ⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“You know when you walk into a conversation and two friends are laughing so hard you start to laugh? You have no idea what they are laughing about but the energy is infectious. I think that the fact this show is utter nonsense, it allows a freedom so then the joy on stage invites the audience in.” This episode features Ryan Jackson who played Mr. Mistoffelees during the early years of the US National Tour 5 of CATS. Hear Ryan discuss his first exposure to the show, rehearsals filled with unwritten lore, and Gillian Lynne’s surprising insights into the choreography. Ryan describes the ensemble-driven fun of touring, including onstage games, the influence of superfans and fan art, and how constant cast changes kept performances fresh. He reflects on the pre-show ritual of applying Cats makeup which helped launch his later career as a makeup supervisor on Broadway. An episode you won’t want to miss. 03:23 Rehearsal Lore 11:14 Keeping It Fresh on Tour 21:15 CATS Makeup to Makeup Career 26:01 Mistoffelees Entrance 29:32 Makeup Career Origins 34:34 Cats: The Jellicle Ball 38:06 Rapid Fire Check out Ryan on Instagram: @thisguysmakeup, @its_ryan_jackson & @thisguysbeauty Check out Death Becomes Her on Social Media: @deathbecomesher Check out Death Becomes Her's website: ⁠⁠deathbecomesher.com⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“If you’d asked me if I’d be in CATS again, I would have absolutely laughed and said don’t be ridiculous.” This episode features Leigh Archer who played Demeter in Australia in 1994 and recently returned as Jennyanydots on the Australian tour. Leigh recounts first encountering CATS music while dancing in a Sydney football grand final show at age 14, later auditioning and joining an already-running Melbourne cast, where a rehearsal exercise helped her embody Demeter’s fear of Macavity. She describes touring Asia in the ’90s, especially Korea’s rock-concert-level audience reactions, and contrasts them with varied Australian crowds on the recent tour. Leigh shares what it was like re-entering the show many years later, relying on muscle memory, adapting to re-choreographed tap, navigating modern backstage social media fun, and defining character relationships. An episode you won’t want to miss. 04:28 Auditioning for Demeter 11:31 Returning After 30 Years 15:35 Backstage Culture Shift 20:05 Character Relationships 28:17 Tour Memories Then Now 32:14 Modern CATS Fandom 35:20 Rapid Fire Check out Leigh on Instagram: @⁠archer5196 Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“That’s the fun part about the show because the connections are not set and you can change them all the time.” This episode features Petra Ilse Dam who performed as Tantomile in the 2019 Vienna Revival of CATS and then as Bombalurina on the International Tour in 2022. Hear about Petra’s path into the show, from initially knowing only a few school numbers to auditioning for the Vienna revival, watching the 1998 DVD after getting the job, and learning the production in German. Petra discusses playing Tantomile, defining the twins as telepathic and moving as one with Coricopat, and using changing onstage connections to build character depth. She dives into her time on the International Tour evolving Bombalurina and the layered relationships she built out for the character. 00:46 First Encounter With CATS 05:15 Finding Tantomile in Rehearsals 09:20 Learning CATS in German 17:14 Onstage Relationships and Lore 27:11 Swing Life Stories 30:11 Prepping Friends & Family for CATS 35:03 Rapid Fire Check out Petra on Instagram: @petrailsedam Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“It’s a show unlike any other that has ever existed. I truly believe that. I think it broke all the rules of what made a successful hit Broadway or West End musical at the time.” This episode features international tour performer Nathan Taylor, who played Bustopher Jones and Gus on the International Tour. Nathan discusses his unexpected history with the show, its universal appeal, and how performers create new character moments nightly. Nathan recounts auditioning in an emotional time in his life, explains how he relates deeply to Gus, and defends Bustopher by clarifying the UK meaning of “gentleman’s club.” He shares his personal lore theory that the show can represent multiple Jellicle Ball nights and ages in Gus’s life, and describes friendships shaping onstage choices, especially with Jennyanydots. Nathan also shares the death of his mother during the tour, including how she heard his recorded performance as she passed. 00:53 Nathan’s CATS History 04:45 Why Cats Works 11:41 Defending Bustopher Jones 22:33 Gus Timeline Theory 26:26 Asparagus vs Peter vs Bustertopher 30:13 Jennyanydots Friendship Lore 42:02 Grief Onstage 44:53 Rapid Fire Check out Nathan on Instagram: @sockmatician Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“I always think of CATS as a picture book. Like a children's picture book come to life.” This episode features CATS veteran Tommie Luyben who has performed in the show since 2006 and recently assisted Chrissie Cartwright on the 2025 Australian tour (and the 2022 Asia tour). Tommie traces his early fandom from CDs, library recordings, and the VHS to joining the 2006 Dutch tour as a swing, then performing on the German tent tour as first-cast Mungojerrie and later Skimbleshanks, plus swinging for the Vienna revival while covering many roles. He discusses challenges of performing in German, how rehearsal rooms build character backstories without changing the show’s outcome, and a very unique Electra theory. An episode you won’t want to miss. 01:19 First CATS Obsession 05:53 Dutch Translation Secrets 09:46 Vienna Swing Life 11:15 Assistant Director Era 13:33 Building Character Lore 20:55 Wild Rehearsal Theories 22:54 Macavity Deep Dive 26:32 Why CATS Still Hits 34:32 Chrissie Wisdom Nuggets 44:48 Rapid Fire Check out Tommie on Instagram: @tommieluyben Produced by: ⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“ I believe that Jellylorum is our mother and she spends so much bloody time with Gus, trying to help Gus and fix Gus. We just wanna get her attention.” This episode features Tannah Levick who performed as Rumpleteazer in the South Africa production of CATS and will be on the continuation of the international tour. Hear Tannah share about her CATS history, how mentors and rehearsal process deepened her respect for the show’s poetry-based story, and how she became obsessed by researching through podcasts and cast discussions. Tannah describes the “I’m in CATS” choreography moments, auditioning in South Africa, insisting on Rumpleteazer, and how her onstage relationship with Mungojerrie shifts depending on who she is performing with(siblings, friends, or lovers). She shares mischievous audience interaction choices, viral tour social media with castmates, connecting with other Rumpleteazers for injury advice, and memorable show incidents including Mistoffelees getting stuck, a tire malfunction, and a bat flying onstage. 01:07 First CATS Memories 02:51 From Hating to Loving 11:41 CATS Theories and Lore 15:04 Rumpleteazer Relationship Theory 21:19 CATS TikTok Goes Viral 24:27 Global Jellicle Community 27:42 Tour Mishaps 32:25 Cats Astrology 37:25 Rapid Fire Check out Tannah on Instagram: @tan_levick Check out Tannah on Tik Tok: @Tannlevick Check out Tannah on Spotify: @Tannahlevick Check out the International Tour of CATS: ⁠www.andrewlloydwebber.com/show/cats Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

“My most treasured possession was that VHS. I played it every single day. And then I started teaching myself every single track.” This episode features Isabelle McCalla who is currently starring as Emma Tate in Schmigadoon! on Broadway. Hear Isabelle recount seeing CATS in 1998 at age five, petting the actress playing Cassandra, and becoming obsessed with the London VHS, learning songs and choreography in her parents’ ballroom dance studio. She talks favorite and hardest tracks, her childhood understanding of the show’s sensuality, and reactions to the new Jellicle Ball revival’s ball-culture framing and storyline, plus the 2019 Cats film and the viral “Mr. MESStoffelees” video. Isabella discusses the incredibly fun Schmigadoon! and then she and Mike cast the Cats into the show. 01:03 First CATS Encounter 02:39 1998 CATS VHS Obsession 09:13 Cats: The Jellicle Ball 18:28 2019 CATS Movie 20:08 Schmigadoon! 24:10 Schmigadoon Meets Cats 32:54 Rapid Fire Check out Isabelle on Instagram: @izzymccalla Check out Schmigadoon! on Broadway: schmigadoonbroadway.com Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ballroom has been one of the most important pieces of my life so far.” This episode features Kendall Grayson Stroud who is a swing in Broadway’s Cats: The Jellicle Ball. Kendall joined the earliest 2022 workshop, performed as Electra at the Perelman Performing Arts Center, and is now a swing covering 10 characters. Kendall describes going into the project with no prior CATS knowledge and only a small introduction to ballroom, then receiving ballroom briefings that kept the production rooted in the community. They discuss developing Electra’s story, the shift to Broadway, and the demands of covering 10 roles, where improvisation and adaptability are essential. 01:46 Audition Story 04:35 Workshop Chaos And Ballroom Briefings 07:20 Building Electra At the PAC 10:25 Swing Tracks And Broadway Debut 17:49 Transfer To Broadway 21:12 Joining The Ballroom Community 29:41 Dream Judges 35:15 Rapid Fire Check out Kendall on Instagram: @kendallstroud Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

"I have a dream that Skimbleshanks, as a representative of the MTA, is able to have a sit down with Zohran Mamdani to talk about the MTA fares.” This episode welcomes back the wonderful Emma Sofia for her third appearance on the show to discuss transferring Cats: The Jellicle Ball from the Perelman Arts Center to the Broadhurst Theatre, including how they adapted the PAC’s long runway into a proscenium space with tiers, onstage seating, boxes, and continued audience immersion. Emma explains how she maintains Cassandra’s boundaryless audience interaction, where Cassandra and Skimbleshanks tend to play in the house, and how the team expanded relationships and ballroom “family tree” lore. Emma talks about cast/story tweaks such as Leiomy as Macavity, Emma receiving the Legacy Robe, the pace of Tony season, and standout promo moments like Miscast and an upcoming MTA Sessions Skimbleshanks collaboration. 01:34 Broadway Transfer 04:00 Designing Immersion at Broadhurst 07:05 Cassandra Crowd Work 16:52 Legacy Robe 22:59 Miscast Experience 30:44 Dream Collabs 33:09 Award Season 40:03 Rapid Fire Check out Emma on Instagram: @emmasofiaokay Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“Junior does not have an agent or a manager. Junior has a community in front of him and we had to move through that in order to get the call.” This episode features the casting directors of Cats: “The Jellicle Ball” Victor Vazquez and Sujotta Pace of X Casting talking about casting the show from early workshops through the PAC run and to Broadway. They discuss their personal introductions to CATS, receiving the initial “ballroom CATS” pitch, and how evolving workshops shaped everything about the show. They describe prioritizing the ballroom community through dedicated open calls, using community networks to reach artists without traditional representation, and the challenges of assembling an ensemble while honoring CATS legacy. Enjoy this deep dive into the creative process and the intricacies of the show. 02:31 The Ballroom CATS Pitch 04:56 Writing the Viral Casting Call 07:34 Workshops and Role Discoveries 09:43 Finding Stars and Ballroom Legends 32:40 Casting For Representation 41:48 Honoring Elders Legacy 45:13 Icons Leading The Company 48:20 Rapid Fire Check out X Casting on Instagram: @xcastingnyc Check out Victor on Instagram: @victorvictorv Check out Sujotta on Instagram: @sujotta Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“I think that the magic that MCs create and where they're able to activate someone. I think that's a gift and it's really incredible.”” This episode features Dudney Joseph Jr. who is currently performing as Munkustrap in Cats: The Jellicle Ball at the Broadhurst Theatre. Dudney shares his first exposure to CATS via VHS in Buffalo, roles he once imagined playing, and how the production grew through workshops into a Broadway transfer. Dudney explains blending musical theater narration with ballroom MC responsibilities, learning to “take up space,” and developing the Legend Statements and Stars (LSS) curtain-call chants, an idea he voice-noted to Zhailon after the Lincoln Center workshop, then built under tight timing at the PAC before it went viral. He discusses changes from the PAC to Broadway, collaborating with creatives to honor both Cats’ legacy and ballroom culture, and working alongside ballroom icons like Junior LaBeija and Leiomy, including how they supported and informed his performance. Dudney also created a custom “Wrong Cat Died” chant for a podcast curtain call. 01:00 Introduction to CATS 04:26 Jellicle Ball Workshops 07:01 Building Munkustrap as MC 11:12 Creating the Curtain Call Chants 23:19 From PAC to Broadway 28:45 Ballroom Meets CATS 38:11 Why You Should Go 44:00 Rapid Fire Check out Dudney on Instagram: ⁠@dudney_jr Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices