The Band: A History

Levon Helm built The Barn in Woodstock as a place to keep making music, make a home and then when stuggles hit - through throat cancer and in the process, built something just as lasting with his daughter Amy, who grew up on that stage and has kept it running ever since he passed. This episode is a tribute to that relationship, and a look at what's happening at Levon Helm Studios today, as a leadership dispute has put Amy's role there in question. We trace the history of the place, the people involved, and why we think the Barn only works when it's still in the family's hands. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jericho was the first Band studio album in sixteen years, and by the time it arrived a lot had changed. Richard Manuel was gone. Robbie Robertson was gone. What remained were Levon Helm, Rick Danko, and Garth Hudson, joined by Jim Weider, Randy Ciarlante, and Richard Bell, trying to figure out what The Band could still sound like in the 1990s. In this episode, I take a look at how Jericho finally came together after years of touring, a failed attempt at a record, and more than a little loss along the way. We talk through the songs, the players who helped make the album, and what was happening around the band when they stepped back into the studio. It’s not a return to the past. It’s a later chapter. A record made by musicians who had already lived through the legend and were still trying to keep the music going. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Jericho, there was Tombstone. In this episode, we examine the Band’s abandoned 1990 Sony sessions, recorded with Jules Shear and ultimately rejected by the label. Through the music and the context, we piece together what this project was meant to be and what it tells us about the Band’s struggle to redefine themselves in the early 1990s. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode traces the final years of Richard Manuel, from The Band’s relentless touring in 1984–86 to his last night in Winter Park, Florida. We follow the grind of the road, the pressures that built around him, and the moments of beauty still present in his late performances. This is the story of a brilliant singer living through the hardest years of his life, the night everything changed, and the music and tributes he left behind. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode follows guitarist Jim Weider, from growing up in Woodstock to finding his way onto the road with Levon, Rick, Richard, and Garth. We trace how he joined The Band in the mid-’80s, held things together through years of hard touring, helped shape their final studio records in the ’90s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this mini episode, we dive into Robbie Robertson’s Insomnia — a vivid, late-life reflection from one of rock’s most self-mythologizing figures. Less a memoir and more a cinematic vignette, Insomnia captures the years between 1976 and 1980, when Robertson drifted through post-Band life alongside artists, filmmakers, and excess. The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, produced by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we revisit The Band’s unexpected 1983 reunion six years after The Last Waltz. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul. We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 54th anniversary of Cahoots, we hear The Band’s most grown-up record. Less legend, more real life. We stay with six songs, “Life Is a Carnival,” “When I Paint My Masterpiece,” “Last of the Blacksmiths,” “Where Do We Go from Here?,” “The Moon Struck One,” and “The River Hymn.” Work, doubt, change, and faith said plainly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our series Odds & Ends we dig into Band deep-cut, “Get Up Jake”. You’ll hear how a scrappy LA studio outtake grew into a live showstopper on Rock of Ages, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Lewis returns to explore his new book Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band. We explore the life and struggles of Richard Manuel, diving into his early years, his role in the Band, and the toll fame took on his confidence. We talk about the dual identity Richard held—as both a gifted performer and a deeply sensitive songwriter. The conversation covers the highs and lows of Richard’s career: the creative energy he brought to the group, his battles with addiction, and the tensions that shaped the band’s relationships. They examine the challenges of collaboration, how personal issues affected the music, and the impact of the 1980s on artists like Richard. Make sure you pre-order the book today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art. We explore his groundbreaking work, Music for Our Lady Queen of the Angels, created for the 1980 Los Angeles Bicentennial. A pioneer of experimental sound art that set the standard for generations, Hudson reshaped the possibilities of sound, leaving a truly unique legacy. Rest in peace, Garth Hudson. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind. Learn more about your ad choices. Visit megaphone.fm/adchoices

I break down James Mangold’s A Complete Unknown and Timothée Chalamet’s take on Bob Dylan. From the film’s beautiful portrayal of Greenwich Village to its underdeveloped characters and missed historical depth, I explore what works—and what doesn’t—in this ambitious biopic. Learn more about your ad choices. Visit megaphone.fm/adchoices

This holiday season, we’re diving into The Band’s heartfelt Christmas track, Christmas Must Be Tonight. Written during their Northern Lights – Southern Cross sessions, the song blends timeless storytelling, soulful harmonies, and a fresh take on the Nativity. I explore its origins, musical brilliance, and why it’s a hidden gem that deserves a place on your Christmas playlist. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Song With... returns featuring my friend and one of Canada's best songwriters, Jerry Leger. Jerry selected "Tears of Rage" from The Band's first album, Music From Big Pink. We delve into the song's significance, the songwriting collaboration between Richard Manuel and Bob Dylan and the various track versions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Band: A History, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson’s strategic decisions, and partnerships with renowned musicians and producers. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're thrilled to welcome author Stephen Lewis to The Band: A History as we dive into his upcoming book, Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band, which will be released in May 2025. In this episode, Stephen shares his journey in writing the book, his deep connection to The Band, and some never-before-heard stories about Richard Manuel. This is an episode you won't want to miss! You can pre-order the book now through the publisher's website or major retailers like Amazon and Barnes & Noble. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn’t sell well, and with management in flux, Arista dropped him. Despite this, Danko continued to tour, collaborate, and perform in smaller, more intimate venues, showcasing his character and musicianship. Collaborations with former Beach Boy Blondie Chaplin, Richard Manuel, Paul Butterfield, and even actor Gary Busey highlighted his versatility. Woodstock ‘79, a smaller and less impactful event than the original, featured Danko performing with Butterfield. This era also saw Danko contributing to Joe Cocker’s chaotic version of “I Heard It Through The Grapevine” and Larry Lee’s album “Marooned.” This period of triumph and tribulation is a testament to Danko’s enduring spirit and love for music. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Song With returns featuring my friend and Chest Fever bandleader, Daniel Cervantes. Dan selected "Just Another Whistle Stop" from The Band's third studio album, Stage Fright. We delve into the song's significance to him, Robbie Robertson's scorching lead guitar, Richard Manuel's captivating vocals, and the various interpretations of the lyrics and music. Learn more about your ad choices. Visit megaphone.fm/adchoices