Wigmore Hall Podcasts

In the first podcast episode of the 2026/27 season, mezzo-soprano Fleur Barron and dancer Suleiman Suleiman discuss their project ‘A Kabuki Winterreise: Spring Snow’ A meditation on sound and silence, solitude and communion, love and loss, this project intertwines the narratives of Yasuna, one of the great kabuki plays dating back to 1818, and Schubert’s iconic Winterreise, conceived a decade later in 1827.

In the final episode of the 2025/26 season, pianists James Cheung and Anna Tilbrook discuss their musical lives and works. Both Cheung and Tilbrook have worked as collaborative pianists for singers and instrumentalists. In this conversation, in which the two musicians met for the first time, they discussed their working relationships with other musicians, what it takes to prepare different kind of repertoire, and favourite musical experiences.

In June’s podcast episode, Professor Laura Tunbridge speaks to violinist Mark Steinberg about performing Beethoven’s string quartets as a cycle. Spanning the entirety of the composer’s creative life, Beethoven’s sixteen string quartets are often divided into early, middle and late. In this conversation, Heather Professor of Music at the University of Oxford, Professor Laura Tunbridge, discusses different musicological approaches to programming and performing these profound works as a cycle with the first violinist of the Brentano String Quartet, Mark Steinberg.

In May’s podcast episode, author Julia Boyd speaks to Ian Skelly about her book, There is Sweet Music Here: The World of Wigmore Hall (Elliott & Thompson, 2026). Drawing on archival sources and first-hand accounts, the book and their conversation charts the Hall’s extraordinary journey from Edwardian beginnings to the present day. There is Sweet Music Here: The World of Wigmore Hall will be available to purchase at the Hall from Thursday 21 May, and throughout our 125th Anniversary Festival from Monday 25 May until Sunday 7 June.

In April’s podcast episode, composer-performers Héloïse Werner and Errollyn Wallen discuss their approaches to composition, performance, and contemporary music making.

As March is Women’s History Month, we’re celebrating International Women’s Day with Leah Broad and Katy Hamilton in this month’s podcast. The two writers discuss the values and limitations of this yearly commemoration of women’s fight for equality across all aspects of life, with a focus on music-making.

In February’s podcast episode, soprano Nardus Williams and lute player Elizabeth Kenny join us to talk about working together on programmes that celebrate baroque women composers, shining a light on their upcoming concert with Mary Beard for International Women’s Day at Wigmore Hall.

In this month’s podcast episode, countertenors Hugh Cutting and Iestyn Davies discuss finding their voices, musical inspirations, programming, and more. Both Hugh and Iestyn have residencies at Wigmore Hall this Season, including a weekend-long celebration of John Dowland’s quartercentenary, baroque festivities, and more.

In December’s podcast episode, Director of Music at St Paul’s Cathedral and founder of The Cardinall’s Musick Andrew Carwood speaks to broadcaster Ian Skelly about festive music making. Join Andrew and Ian for a festive podcast special, where they discuss putting together programmes, past and present seasonal concerts at Wigmore Hall, what makes a good carol, and much more.

In this month’s podcast episode, Steinway & Sons’ Director of Concert and Artists services Ulrich Gerhartz introduces the pianos of Wigmore Hall. Having started looking after the pianos at the Hall in 1996, Ulrich has a long-standing relationship with the two world-renowned instruments and the artists that perform with them, which he talks about in this month’s episode. We were lucky enough to join him onstage during their yearly service this summer and to capture him at work.

In October’s podcast episode, Dr Leah Broad, Dr Natasha Loges and mezzo-soprano Kitty Whately discuss the life and music of British composer and violist Rebecca Clarke ahead of a Focus Day at Wigmore Hall this November. One of the most important composers of her generation, Clarke created around 100 works, but only 20 of these were published in her lifetime. Leah, Natasha and Kitty introduce Clarke in the context of music-making in Britain at the start of the 20th century, discussing her life, compositions, and performance career. The trio look ahead to Saturday 8 November 2025, an exciting day of four events to celebrate the centenary of Clarke's major 1925 recital at the Hall, as well as a new recording by Kitty Whately, tenor Nicholas Phan and pianist Anna Tilbrook of Clarke’s complete songs, which will be released on 7 November 2025.

In the first podcast episode of the season, Ian Skelly talks to Wigmore Hall’s Composer in Residence for 2025/26, Thomas Larcher. Born in Innsbruck in 1963, Austrian composer Thomas Larcher is a leading voice in contemporary classical music. Since becoming one of the first composers to grace Wigmore Hall’s ongoing series of commissions in 2007, he has beguiled audiences with some of the finest works of contemporary chamber music and song. His residency at the Hall promises to show why his music has been described by The Times as ‘one of this century’s wonders’.

On International Women's Day, our Archivist Emily Woolf explores the trailblazing, influential, unpredictable, and occasionally outrageous women in Wigmore Hall's history. From Ethel Smyth to Ellen Terry, Yvette Guilbert to Yvonne Arnaud - not to mention dancers, lecturers and the occasional psychic - hear their stories, their words and music, and discover their place in the story of the Hall.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.